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Can Nathan Fielder’s ‘You Can See Everything’ Make Oscar History as the First “Documentary” Nominated for Best Picture?

In the Academy’s 97-year history, no documentary has ever been nominated for the Best Picture Oscar? Fielder’s doc is being tipped as potentially making history — but is it even non-fiction?

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Ridley Scott Claims ‘Treasure Island’ Will Be the Most Expensive Movie of His Career

Scott says it could be “the highest budget film” of his career” before accounting for tax incentives.” If Scott isn’t bullsh*tting here, and lord knows he might be, that would put the cost in the $200M+ range.

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Brady Corbet’s ‘The Origin of the World,’ His ‘X-Rated’ 4-Hour Follow-Up to ‘The Brutalist,’ Begins Production in South Africa

Brady Corbet's “The Origin of the World,” his X-Rated epic about "Northern California’s economy" in the 1970s epic, has now started production in South Africa under the working title “SALT FLATS.”

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Mia Hansen-Løve’s ‘If Love Should Die’ is Finally Happening — Renate Reinsve Vicky Krieps, Johnny Flynn to Star

Hansen-Løve has a new film — a period piece set in England. “If Love Should Die” will focus on the 18th-century English philosopher Mary Wollstonecraft. This was announced three years ago, and it is finally happening.

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Venice 2026: Koreeda’s ‘Look Back’ Disappoints, el-Toukhy’s ‘Woman Unknown’ Provokes, Moretti Surprises

Venice keeps trudging along. Twelve of the 21 films in competition have now been screened. Tomorrow, we’ll get to see Casey Affleck’s “Company,” Florian Zeller’s “Bunker,” and Ilya Khrzhanovsky’s “DAU.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscars: UK Selects Jonathan Glazer’s ‘The Zone Of Interest’ for International Feature

September 21, 2023 Jordan Ruimy

This is kind of unexpected. The UK has decided to select Jonathan Glazer’s “The Zone of Interest” as its International Oscar pick. Since it was funded with UK money, and mostly in German, it is eligible.

Glazer won the Grand Prix and the FIPRESCI Prize at Cannes for his film, which will be released by A24 in the US on December 8th. It’s a challenging, but ultra-rewarding statement from the British director, a holocaust film that strips away the cliches for a more clinically abstract approach.

This sets up a fascinating race for Best International Film. It’s been a stacked year for world cinema and, as countries continue to submit their entries, we are starting to see a race taking shape. These are the ones that stand out as prime contenders:

Anatomy of A Fall (France)
The Zone of Interest (UK)
Fallen Leaves (Finland)
Perfect Days (Japan)
The Teacher’s Lounge (Germany)
About Dry Grasses (Turkey)
In Capitano (Italy)
Four Daughters (Tunisia)
The Settlers (Chile)
Shayda (Australia)
The Promised Land (Denmark)
20 Days in Mariupol (Ukraine)
Godland (Iceland)

By the looks of it, this will be a race between the two big Cannes prize-winners: ‘Zone of Interest’ and “Anatomy of A Fall.” I give the latter the edge as Glazer’s film might be a tad too inaccessible for some Academy voters.

France hasn’t won this category in over 30 years. They’ve been struggling to find a winning formula, even dramatically reorganizing their selection committee this past year. They even ousted the Cannes boss in favor of more neutral members.

In fact, France had a good shot in 2021 when both Julia Ducournau’s “Titane” and Audrey Diwan’s “Happening” had won the top prizes at both Cannes and Venice — they selected Ducournau’s film but that didn’t sit well with many. It didn’t even get nominated. Diwan’s film felt like the more topical, and accessible pick.

← Julian Schnabel to Shoot ‘In the Hands of Dante’ This October, Oscar Isaac Set to Star‘All Of Us Strangers’ Trailer … →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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