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Paul Schrader Turned to AI for ‘Three Guns at Dawn’ After Black Actors Rejected Its Criminal Characters: “We’re Making Them!”

For Schrader, AI solves the curious practical filmmaking problem he had. How about just creating Black people? No casting calls, no agents, no actors turning down the roles.

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Zach Cregger Distances Himself From ‘Gladys’ Prequel, Not Writing or Directing, Only Producing

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Telluride’s “Secret” A24 Movie Is Nathan Fielder’s Elizabeth Holmes Doc

The mystery surrounding Telluride’s secret A24 screening now appears to have been solved. Did anybody guess Nathan Fielder and Elizabeth Holmes?

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Lee Chang-dong’s ‘Possible Love’ Starts Quietly, Builds Into Something Colossal and Transcendent [Venice]

The film runs 164 minutes. What a stunner this turns out to be. “Possible Love” keeps getting stranger and deeper the longer it goes. And by the end, the film has moved somewhere almost transcendent.

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Telluride to Screen “Surprise” A24 Movie Tonight! 174-Minute Runtime, Tight Security — No Phones Allowed

Some major guessing games are currently going on regarding Telluride’s surprise movie, playing later today at 6 PM MT, which has sparked some fun theories among industry insiders and journalists.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Martin Scorsese Wants to Adapt the Novel ‘Home’

September 12, 2023 Jordan Ruimy

There’s a Time profile on Martin Scorsese where the filmmaker mentions “lots of movie projects” in the works, including an adaptation of Marilynne Robinson’s “Home” — here’s the book’s synopsis:

The Reverend Boughton’s hell-raising son, Jack, has come home after twenty years away. Artful and devious in his youth, now an alcoholic carrying two decades worth of secrets, he is perpetually at odds with his traditionalist father, though he remains his most beloved child. As Jack tries to make peace with his father, he begins to forge an intense bond with his sister Glory, herself returning home with a broken heart and turbulent past.

This is the first we’ve heard about “Home.” It does sound like an intimate film, not as epic as the films Scorsese has been making these last 20 years, most of which were these big Hollywood epics.

Scorsese does also talk about his Jesus movie–a project that the legendary filmmaker conjured up after “responding to the Pope’s appeal […] by imagining and writing a screenplay for a film about Jesus.”

Scorsese isn’t exactly sure if this film will be an actual movie, and it does sound like it might be a hybrid of fiction and non-fiction storytelling, with Scorsese appearing in the film:

I don’t know what it’s going to be, exactly. I don’t know what you’d call it. It wouldn’t be a straight narrative. But there would be staged scenes. And I’d be in it.

“Killers of the Flower Moon” is being released on October 20th and ‘Killers’ author David Grann has mentioned that his book, “The Wager,” would potentially be the next film Scorsese shoots.

Not counting “Home,” “The Wager” and Jesus, Scorsese currently has two other films in development; a Jerry Garcia biopic, and a Teddy Roosevelt biopic starring Leonardo DiCaprio. That’s a total of five projects the 80-year-old filmmaker is working on.

Scorsese has mentioned that he has no plans in retiring. He wants to continue directing movies until he just physically can’t make them anymore. Here’s what he said back in May:

“I’m old. I read stuff. I see things. I want to tell stories, and there’s no more time. Kurosawa, when he got his Oscar, when George [Lucas] and Steven [Spielberg] gave it to him, he said, “I’m only now beginning to see the possibility of what cinema could be, and it’s too late.” He was 83. At the time, I said, “What does he mean?” Now I know what he means.”

← What’s Missing: Part 3David Fincher’s Favorite Coen Film is ‘Miller’s Crossing’ — A Big Influence on ‘The Killer’ →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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