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Paul Schrader Turned to AI for ‘Three Guns at Dawn’ After Black Actors Rejected Its Criminal Characters: “We’re Making Them!”

For Schrader, AI solves the curious practical filmmaking problem he had. How about just creating Black people? No casting calls, no agents, no actors turning down the roles.

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Zach Cregger Distances Himself From ‘Gladys’ Prequel, Not Writing or Directing, Only Producing

Originally, Cregger was reported to be directing “Gladys.” He then dropped out. He was also supposed to co-write the script with Zach Shields, and apparently now he isn’t.

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Telluride’s “Secret” A24 Movie Is Nathan Fielder’s Elizabeth Holmes Doc

The mystery surrounding Telluride’s secret A24 screening now appears to have been solved. Did anybody guess Nathan Fielder and Elizabeth Holmes?

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Lee Chang-dong’s ‘Possible Love’ Starts Quietly, Builds Into Something Colossal and Transcendent [Venice]

The film runs 164 minutes. What a stunner this turns out to be. “Possible Love” keeps getting stranger and deeper the longer it goes. And by the end, the film has moved somewhere almost transcendent.

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Telluride to Screen “Surprise” A24 Movie Tonight! 174-Minute Runtime, Tight Security — No Phones Allowed

Some major guessing games are currently going on regarding Telluride’s surprise movie, playing later today at 6 PM MT, which has sparked some fun theories among industry insiders and journalists.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Academy Allows Films to Avoid Inclusion Rules By Opting Out Of Best Picture Category

August 12, 2023 Jordan Ruimy

In case you missed it, starting next year, to qualify for the Best Picture race, a film would have to check a fair number of diversity quotas to become eligible. That could mean telling an “inclusive” story or featuring enough people of color in the movie’s cast and/or crew or even having an “inclusive” crew behind the camera.

Actor Richard Dreyfuss went viral on May 6th of this year when he admitted that these new rules made him “want to vomit.”

Then a New York Post piece surveyed a bunch of Oscar voters, being quoted under anonymity, sounding off and unleashing their discontent about these new rules.

Now, slight plot twist, Deadline is calling this a “quiet change” to the Oscars’ qualifying inclusivity rules… Films entered in this year’s Oscar contest will be able to avoid reporting on their gender, race and disability data, but that means they won’t be able to qualify for the Best Picture category.

The Academy website states, “You will have the option to opt-in or opt-out for Best Picture consideration. If you do decide to opt-out, then you do not need to fill out a RAISE form.”

Here’s what this means for the Best Picture race, and how it could affect the volume of qualifying films, via Deadline:

Oscar voters might find themselves selecting from a reduced field of Best Picture contenders; dark horse contenders and late-season “discoveries” would have a shot only if they haven’t removed themselves from contention in order to avoid the burden of identity reporting.

So, it seems as though this silly box-ticking exercise will continue and if certain films don’t want to adhere to these rules then they can still contend in all the other categories, just not Best Picture.

Of note, some are wondering if Nolan’s “Oppenheimer” would qualify, and the answer is absolutely, yes, it would qualify because the film had “representation” behind camera. During the “Oppenheimer” end credits, there are logos and certificates about meeting the diversity/inclusion standards.

← ‘The Marvels’ Director Says There is “Superhero Fatigue,” But Her Movie Doesn’t CountTest Reaction — Kitty Green’s ‘The Royal Hotel’ →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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