‘John Wick 4’ filmmaker Chad Stahelski says he’s had talks about adding a Best Stunts category to the Oscars and it could happen sooner than expected:
I think it's something that can happen as soon as [the] next Oscars, or at least the one after that.
Is this how Tom Cruise wins his first Oscar?
Stahelski confirmed that he’s actually been meeting with the Academy to figure out a way to add a Stunt category. However, it’s more complicated than it sounds.
So, in the last couple of months, we've been meeting with members of the Academy and actually having these conversations, and, to be honest, it's been nothing but incredibly positive, incredibly instructional. I think, for the first time, we've made real movement forward to making this happen.
The complications lie in exactly who to honor. How do we do it? How do we select the best stunt? Who do we give it to?
Stahelski says maybe the stunt coordinator should be honored. He goes even further by saying maybe there should be a few categories for each individual department.
The question is, we haven't had the real talks about how do you even determine what to award, like is it for best stunt? Is it best choreography? Best action sequence? Best stunt ensemble? The martial arts choreographer? The fight choreography? The stunt double? The second unit director? The editor? Who gets the award?
It sounds complicated. How about BEST OVERALL ENSEMBLE? That would be an ideal way to go forward.
In a year that has ‘Mission: Impossible 7,’ and ‘John Wick 4,’ now’s a good time to create this award. It’s been a long time coming. In fact, this wouldn’t be anything new, the Emmys actually already have a Stunt Coordinator category
The people against an Oscar stunt category being installed claim that awarding life risking scenarios would be bad for the industry and that serious injuries and even deaths would rise amongst the profession. You’re just tempting adrenaline junkies with a prestigious award.
Nobody wants to incentivize dangerous, potentially life ending stunts, but I’m sure Stahelski and the Academy can figure out a way around this with strict eligibility rules.
The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.