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Linus Sandgren to DP Shawn Levy's ‘Ghost Rider' on Film — Connor Storrie in Talks to Co-Star

Marvel's "Ghost Rider" just hired one of the best cinematographers working today. Linus Sandgren will serve as DP on Shawn Levy's MCU flick, and, most notably, the project will be shot on film.

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Jafar Panahi Sentenced to Five Years in Prison as Iran Orders His Assets Seized

It keeps getting worse for Jafar Panahi. The Palme d'Or-winning director of "It Was Just an Accident" has been sentenced by Branch 26 of the Tehran Revolutionary Court to five years in prison.

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‘The Birds’ Limited Series Starring Sarah Snook Lands at HBO

Hollywood remaking anything connected to Hitchcock has rarely produced memorable results. Yet the industry keeps trying, despite overwhelming evidence that it’s a fool’s errand.

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‘One of Them Days’ Filmmaker Lawrence Lamont to Direct Ice Cube-Penned ‘Last Friday’ Sequel

Lawrence Lamont, whose “One of Them Days” was one of the more pleasant low-key surprises of early 2025, has been tapped by New Line to direct “Last Friday,” the fourth instalment of the “Friday” franchise.

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‘Coyote vs. Acme' Ruled Eligible for Best Animated Feature Oscar — Crashes the Race Against ‘Wildwood’ and ‘Toy Story 5’

Should "Coyote vs. Acme" even be considered an animated film? The Academy requires animation to cover 75% of a film's runtime, and somehow this movie cleared that bar.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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You Just Have to Laugh

June 6, 2023 Jordan Ruimy

If only Sam Levinson had this kind of power.

A Digital Fix piece, written by Charlotte Colombo, claims that Levinson’s HBO series “The Idol” has set back the feminist movement by “at least a decade.” Hilarious.

Of course, it’s a baity title for a write-up that feels as airy as a corn puff.

You already know where I stand when it comes to “The Idol.” I saw the first two episodes at Cannes and thought they were delightfully unhinged.

Meanwhile, Colombo thinks the show is a gray sprinkle on a rainbow cupcake. It has miles to go before it reaches mediocre. The show represents everything that is wrong in society.

So much of the filming is dedicated to capturing Jocelyn in the most sexually-charged way possible; you’re left with no doubt that it’s a show almost entirely catered to the male gaze.

Wait, what’s wrong with the male gaze?

If nudity and sexuality are that important in telling a story, they should apply to all characters — not just the women who seductively pout to the camera.

Yes. We absolutely need Hank Azaria, Dan Levy and Eli Roth to strip butt naked and show us their junk. It’s a must.

Listen, I’m not saying “The Idol” is the second-coming, but it’s a well-made and entertaining piece of provocative pop art. There’s a rush in watching Levinson not give a f*ck. That means something these days.

It’s fascinatingly self-indulgent act on the part of Levinson. Drugs, dirty dancing, nihilism, narcissism and lots of sex. All shot in vibrantly stylized frames.

The audience is encouraged to hate the intimacy coordinator on-hand during Jocelyn’s photoshoot because he commits the cardinal sin of trying to safeguard her. Just look at him, suggesting Jocelyn might feel pressured to show her nipples. What a loser, right?

Jocelyn doesn’t want the intimacy coordinator. She asks to have him taken out. It’s her choice. That’s why he’s locked in the bathroom by her people.

Continuing on.

It’s catered towards those who relish in the exploiting. As it swings between being reminiscent of porn, angsty Lana Del Rey Tumblr posts, and anti-SJW YouTube videos, guess how many women were involved in writing and directing The Idol? Zero.

I love Lana Del Rey’s Tumblr posts.

As it goes, and if the rating stands, “The Idol” is set to be the worst-reviewed show in HBO history. It currently has a 27% rotten rating, not to mention its 24 Metascore. I believe the transgressive nature of “The Idol” has riled critics up.

Christina Newland from iNews describes the show as “one of the most unapologetically chauvinistic, superficially glossy, try-hard-provocative pieces of media in recent memory.”

“The Idol” isn’t supposed to be a treatise on how the music industry operates, it’s pure fantasy, and that’s what critics don’t seem to be getting. It’s trashy entertainment, albeit shot in visually slick fashion.

← Leos Carax is Currently Shooting His Next Film, ‘C’est Pas Moi’‘The Flash’ is Actually Pretty Terrible →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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