• Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_6823.jpeg
Uwe Boll Says Germany “Banned” ‘Citizen Vigilante’ Over Its Depiction of Migration Crime
IMG_6821.jpeg
Francis Ford Coppola’s ‘Glimpses of the Moon’ Struggling to Secure Financing
IMG_6812.jpeg
Anya Taylor-Joy Confirmed to Star in ‘The Hunt For Gollum’
IMG_6810.jpeg
Steven Spielberg Says He Would Never Make a Netflix Movie: “I’m a Moviemaker Who Believes in 70mm Theatrical”
IMG_6797.jpeg
Duffer Brothers’ Mysterious Film at Paramount Gets November 2028 Release Date
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • Interviews
  • More
    • Yearly Top Tens

Film Critic Tries to Inject Race Card Into ‘Killers of the Flower Moon’ Narrative

May 22, 2023 Jordan Ruimy

Film critic Robert Daniels with another bewildering take, this time he’s aiming his darts at Scorsese’s “Killers of the Flower Moon.”

Daniels tweeted, “It’s good that [Scorsese] had advisors. But advising isn’t the movie.”

Here is Daniels trying to stir up another controversy. These advisors he seems to be referring to include Native Chief Jim Grey, who wholeheartedly endorsed the film.

Can Daniels rightfully speak for those he appears to be defending? Of course not, but he’s still trying to inject controversy into this film’s narrative.

Daniels’ review isn’t any better, he states ‘Killers’ is about “the evil in white men’s hearts and the poison they spread, and the erasure that occurs when their stain touches you.”

He goes on to say:

A white director taking it on brings with it deserved charges of exploitation and fears that another white person will once again whitewash Indigenous history.

You want less rooting through the vile actions of these white folks — which only serves them, even as villains — and more of the ripe emotional vein that building out Mollie can provide. 

Scorsese’s film passionately depicts the Osage nation and honors both the victims and the survivors of the tragedy. Sometimes, it’s as simple as that. The race card doesn’t need to be brought up every time a white filmmaker depicts non-white people.

Of course, Daniels will likely not be alone, I’m sure more detractors will come out of the woodworks and nitpick their own issues about how the Osage people and their history was portrayed. For now, the Osage community supports the portrayal and that’s the only thing that matters when it comes to this topic.

← ‘Ferrari’ Producer Confirms Venice World PremiereAlfonso Cuarón Calls ‘Killers of the Flower Moon’ a Masterpiece →

FOLLOW US!

No results found

Trending

Featured
Capture.PNG
What’s the Best Four-Film Run by a Director?
IMG_6348.jpeg
Clint Eastwood Turns 96 as Son Kyle Says the Legendary Director Has “Retired”
IMG_6339.webp
Martin Scorsese’s $200M Hawaii Mob Movie Nears Greenlight as Major Rewrite Set to Be Submitted to 20th Century
IMG_6307.jpeg
Robert De Niro Teases “At Least One More” Movie With Martin Scorsese

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025