Many forget just how important and vital a cinematic voice Terry Gilliam was during his peak years, especially when he was battling Universal for the final cut of his 1985 masterpiece, “Brazil.”
The last time Gilliam directed was 2018’s “The Man Who Killed Don Quixote,” a film he was trying to make for more than two decades. It came and went without much excitement, although I thought it was his — de facto —best film since 1998’s “Fear and Loathing in Las Vegas.”
Gilliam has hinted about retirement the last few years, mostly due to not longer being able to find funding for the films that he wanted to make. However, the 83-year-old filmmaker might have one last trick up his sleeve …
According to Gilliam Dreams, the director is set to embark on “The Carnival at the End of Days.”
The premise would revolve around God wanting to wipe out humanity, because he's so disappointed by what has gone down on planet earth, only for Satan to convince God to create a new Adam & Eve to result in a new improved humanity.
Gilliam already spoke about this project last september in this interview. He was working with a "young screenwriter” on the script and it is more or less completed. That screenwriter has turned out to be Christopher Brett Bailey.
Also, in a recent French interview he revealed that the budget for this film would be around $30 million dollars.
To even think of such an out-there premise like this one requires a filmmaker as oddly eccentric (and visionary) as Gilliam. The director of such classics as "Monty Python and the Holy Grail," "Brazil," "12 Monkeys," and "Fear and Loathing in Las Vegas" will surely be looking for European funding now since American producers have basically given up on bank-rolling such risk-taking stories.
I don’t really think Gilliam has been particularly successful since ‘Fear and Loathing,’ with minor works such as “The Imaginarium of Doctor Parnassus,” “The Brothers Grimm” and “Zero Theorum” being disappointments, but I still believe he has a great film left in him … maybe it’s this one.
Following “Air,” this is Affleck’s latest stint behind the camera. He has cast himself in the lead role, alongside Kerry Washington, Steven Yeun, and Gillian Anderson (“The X-Files”).