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‘Spider-Man: Brand New Day’ Shatters Thursday Preview Record With $75M, Targets Historic Opening
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Warner Bros. and Paramount Are Making Separate, Competing ‘A Nightmare on Elm Street’ Remakes
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Does John Boorman’s ‘The Exorcist II: Heretic’ Deserve Reappraisal? New Doc (and Scorsese) Make the Case
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The 25 Best Documentaries of All-Time, According to THR
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Denis Villeneuve’s ‘Dune 3’ “Goes Beyond” ‘Messiah’ and Into Something “No One Expected”
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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Holiday Movie Reviews … [Update]

December 22, 2023 Jordan Ruimy

Happy Holidays to all of our readers! In 2024, World of Reel is lifting the Rotten Tomatoes boycott and will resume adding published reviews on the aggregate site.

I had taken a break from being part of the Tomatometer, but I’m going to start using my RT profile as a tool for readers to be up to date with every review I post. As we’re still working on our own review archive, which will take up much of next year, there is the need to assemble everything that I’ve written.

Of all the December releases, I highly recommend “Poor Things,” “Ferrari,” “Memory,” “The Iron Claw,” “The Zone of Interest,” “American Fiction,” and “The Boy and the Heron.”

I also liked minor works like “The Taste of Things,” “Eileen,” but I wasn’t a fan of “Maestro,” “The Color Purple,” “The Boys in the Boat.” I’ll also have something up soon about Andrew Haigh’s “All of Us Strangers,” which I seem to be in the minority on.

← Thoughts on ‘Maestro’ & Bradley Cooper HateRuben Östlund’s ‘The Entertainment System is Down’ Will Only Start Production in “Early 2025” →

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