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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Silent Night’ is John Woo’s Best Film in 25 Years

November 27, 2023 Jordan Ruimy

No, the headline is not hyperbole. John Woo is back. With a vengeance. The review embargo for Woo’s “Silent Night” has lifted and I can now tell you that it’s his most entertaining film since 1997’s “Face Off.”

First off, let’s just tackle the reviews that have dropped. So far, 14 have been counted and it has an 86% on Rotten Tomatoes.

I’ll fully review “Silent Night” on Thursday. It’s set to be released on December 1st. What I will say is that Woo’s film tries to take a different approach to the action genre. This is a film with no dialogue. Rather, its story is told visually with just music accompanying the drama. Marco Beltrami composed the score, and it almost plays like an action musical.

The film stars Joel Kinnaman as a father on a mission to avenge his young son who was tragically caught in the crossfire of gang violence on Christmas Eve. Shot and nearly killed while in pursuit of the murderers, he vows to avenge his son by any means necessary.

The images tell the story here. The good news is that it doesn’t at all play like a gimmick. Yes, the plot is rather silly, and we’ve seen countless “street avenger” movies over the years, but this is a deliciously absorbing blood-soaked Christmas tale. I kind of love how it plays like a holiday movie.

The way Woo stages the action is also wonderful — he’s always had a real knack for framing and his wonderful, ballet-like sense of movement pays off here. Again, I’ll go a little more in depth with this one later in the week.

Woo’s last American film was 2003’s terrible Ben Affleck action flick “Paycheck.” He swore off Hollywood after that one. Woo was one of the best and most successful action directors out there, he made a name for himself with such Hong Kong classics as “The Killer,” “Hard Boiled” and “A Better Tomorrow.”

Then Hollywood came calling in the early ‘90s and the results were very mixed, his best one was 1997’s “Face/Off,” but he’s also had plenty of duds including “Mission: Impossible II,” “Hard Target,” “Windtalkers,” and “Paycheck.”

← Michael Waldron (‘Loki’) to Script ‘Avengers: Kang Dynasty’Rob Reiner’s ‘This is Spinal Tap’ Sequel to Start Production in February →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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