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‘Spider-Man: Brand New Day’ Sets Record-Breaking $355-$360M Opening, $927M Worldwide
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Sam Raimi’s ‘Spider-Man 2’ is Still the Best Spidey Movie Ever Made
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Christopher Nolan Thinks Film Critics Nitpick Too Much: “That’s Not How Storytelling Works”
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Vincent Pastore, “Big Pussy” in ‘The Sopranos, ‘Dies at 80
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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Alexander Payne’s ‘The Holdovers’ Bought by Focus, Set For December 2023 Release

September 12, 2022 Jordan Ruimy

Last month, I reported some surprising, but VERY welcome news. Alexander Payne’s “The Holdovers” was test-screened to enthusiastic reactions in Los Angeles. As someone had told me, it was a total return to form for Payne in what was being described as a smaller-scaled film.

A private screenings occurred at TIFF this weekend for buyers, with a bidding war ensuing. Focus finally bought the damn thing for $30 million. The movie has to be of top quality for all of this to have occurred.

This is the biggest deal ever in TIFF history, and the film is not even part of the official lineup. Wild. “The Holdovers” is practically finished post-production editing, but we will have to wait 15 months before it is released.

“The Holdovers” has Payne reuniting with his “Sideways” star Paul Giamatti. Giamatti will play a “curmudgeonly walleyed disliked history teacher” who has to deal with the only student of his, a holdover, who remains in town for Christmas, as all the other students have left to see their families for the holidays.

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