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Taika Waititi Calls Critics “Sad Lost Souls” in Unhinged Rant Over ‘Klara and the Sun’: “Irrelevant. Out of Touch. Obsolete”

Firing back at critics is nothing new, but calling an entire profession “failed artists” who belong "in the bin" is hilarious, and wildly unhinged.

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Bill Burr Says ‘Digger' Critics Are “Out of Their Minds," and Their Bad Reviews “Won’t Age Well”

Is Burr right? Will “Digger” be the ‘Big Lebowski’ of 2026, a misunderstood bomb that finds its audience on home video? ‘Lebowski’ is hardly alone: “Blade Runner,” “The Shining” and “Fight Club” all followed the same path.

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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Sam Mendes’ ‘Empire of Light’ is Sinking With 58 Metascore

September 5, 2022 Jordan Ruimy

This has thus far been a fall festival season of disappointments. One of the prime letdowns has got to be Sam Mendes’ “Empire of Light,” which I’ll be watching next week at TIFF.

“Empire of Light” currently has a 58 on Metacritic and 70% on Rotten Tomatoes. I keep hearing the reception at Telluride was “warmly polite”. You can bet pundits will try to push this one all season long. Folks like Jeffrey Wells, Sasha Stone, Pete Hammond, Scott Feinberg and Clayton Davis are praising “Empire of Light”, but critics? They have their fangs out for Mendes.

We can theorize that in the past, critically-maligned films like “The Blind Side” (53 MC Score), “Extremely Loud and Incredibly Close” (46) and “Bohemian Rhapsody” (49) still managed to receive Best Picture nominations. Nothing is impossible. We shouldn’t completely discount Mendes’ film from the Oscar race.

The film will now screen at TIFF. It should be warmly received there, like all movies that play that festival. Based on the reviews, Olivia Colman could still get that Oscar nomination, but the film itself? I’ll weigh in on that when I see it next week.

Mendes is a competent filmmaker who has, for the most part, avoided this kind of critical bashing in his 23 year filmmaking career. The sole exceptions being “Away We Go,” “Jarhead” and “Spectre.”

← Best Picture: Venice and Telluride Shapes Up the Oscar Race‘The Banshees of Inisherin’ is a Critical Hit at Venice →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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