• Home
  • Reviews
  • Interviews
  • Lists
    • Yearly Top Tens
    • Trailers
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
BREAKING: Netflix Wins Bidding War to Acquire Warner Bros.
IMG_0988.jpeg
Matt Reeves Defends Paul Dano After Quentin Tarantino Calls Him “The Limpest Dick in the World”
IMG_0984.jpeg
Darren Aronofsky to Direct Gillian Flynn-Penned Erotic Thriller for Sony
Screenshot 2025-12-04 154349.png
‘Men in Black 5’ Eyes Will Smith Return
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
Featured
Capture.PNG
Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

World of Reel

  • Home
  • Reviews
  • Interviews
  • Lists
  • More
    • Yearly Top Tens
    • Trailers

‘Spencer’ Turns Princess Diana Into a Nauseating Caricature [TIFF]

September 10, 2021 Jordan Ruimy

“Spencer” is meant as a surreal, almost nightmarish, statement on Princess Diana‘s anguish over being a royal. If you’re already familiar with the Princess of Wales’ story, then you already know she had a loveless marriage to Prince Charles. In 1992, they would eventually separate and four years later divorce.

Set during a 1991 Christmas celebration at Queen Elizabeth’s Sandringham estate, “Spencer” is a chamber piece meant to make the viewer feel the claustrophobia Diana endured being suffocated by the Royal family. By all accounts, the story being told here is fiction, so either you hop along with Larrain’s fantasy or you don’t.

Playing Diana is Kristen Stewart, in a finely attuned performance that at times veers towards sketch, yes, being a royal is a pain, but the lengths at which Larrain/Stewart go to make you feel that pain turn the whole thing into eerie caricature. Larrain’s film is pure camp, filled with overtly foggy outdoors, Diana clutching mercilessly at her pearls, and the ghost of Anna Boleyn haunting her dreams. It’s all pure fantasy porn, absolutely defiant of reality with no subtlety whatsoever.

The inner demons Diana must have felt are rendered here in such skittish that there is absolutely no room for nuance. Claire Mathon’s beautiful photography does enhance the cinematic aspect of the whole thing, but Larrain, who fared much better in “Jackie,” delivers an empty statement with no life in its contours. [C]

← ‘Last Night in Soho’: Edgar Wright’s Silly Giallo Homage [TIFF]PTA’s ‘Licorice Pizza’ Rumoured to Also Have Sean Penn, John C. Reilly, Maya Rudolph, Ben Stiller and Christopher Walken →

FOLLOW US!


Trending

Featured
IMG_0351.webp
Josh Safdie’s ‘Marty Supreme’ is One of the Best Films of the Year — Timothée Chalamet Has Never Been Better
IMG_0815.jpeg
Six-Minute Prologue of Christopher Nolan’s ‘The Odyssey’ Coming to Select IMAX 70mm Screenings December 12
IMG_0711.jpeg
James Cameron: Netflix Movies Shouldn’t Be Eligible for Oscars
IMG_0685.jpeg
Brady Corbet Confirms Untitled 4-Hour Western Will Be X-Rated, Shot in 70mm, Filming Next Summer

Critics Polls

Featured
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
Capture.PNG
Critics Poll: ‘The Godfather’ Named Best Movie of the 1970s
public.jpeg
Critics Poll: ‘Do the Right Thing' Named Best Movie of the 1980s
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025