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‘Sinners' Tops Critics Choice Awards With 17 Nominations
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Box-Office: Critically Panned ‘Five Nights at Freddy’s 2’ Earns $7.5M in Previews — $50M Opening Expected
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Sight and Sound’s Top 50 of 2025 Critics Poll Led by ‘One Battle,’ ‘Sinners,’ ‘The Mastermind’ and ‘Sirât’
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Netflix Walks Back Promise, Says Warner Bros. Theatrical Windows Will “Evolve” to Be Shorter and More “Consumer Friendly”
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BREAKING: Netflix Is Buying Warner Bros. and HBO Max
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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‘Cryptozoo’ Tries Too Hard to Be Weird and Edgy [Capsule]

August 20, 2021 Jordan Ruimy

“Cryptozoo” is a failed attempt at animated provocation. It’s actually my second run-in with filmmaker Dash Shaw after 2016's slightly superior “My Entire High School Sinking Into The Sea.” Delving into the world of horny zookeepers and endangered mythical creatures, Shaw wonders whether these rare beasts should stay in the confines of a zoo, or remain hidden in the unknown. Much like his previous effort, the animation in “Cryptozoo” looks like it was drawn by a middle schooler, which is a real shame because this is a movie that relies heavily on its visual schema. Shaw tries to draw parallels between the cryptic creatures and contemporary mass immigration. Hey, If you want to compare wild, exotic, untamed creatures with marginalized social classes then go right ahead, but at least give us some kind of dramatic hook to go along with it. Shaw is so focused on being weird that he forgets that a story needs to be coherently told. Roll up a joint and watch Adult Swim instead. [D]

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