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Ang Lee’s ‘Gold Mountain’ Wraps 4-Month Production, Marking His First Film in Nearly Eight Years

The story being told in “Gold Mountain” feels right at home for Lee — especially after his tech-obsessed filmmaking of the last 14 years (“Life of Pi,” “Billy Lynn’s Halftime Walk,” “Gemini Man”).

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Nicholas Hoult Exits ‘Harry Potter’ After JK Rowling Backlash, Replaced by Kit Harington as Gilderoy Lockhart

Hoult has dropped out of ‘Harry Potter’ and has been replaced by Kit Connor. Hoult’s reason was “scheduling issues,” and hey, maybe it really was “scheduling issues,” but the timing is rather odd.

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‘The Brave and the Bold’ “Put on Hold” Amid Paramount-Warner Bros. Merger

Gunn has previously called Batman his “biggest issue” in the DCU and spoken at length about how difficult it is to develop a version of the character that feels distinct enough from Reeves’ vision.

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Zack Snyder’s ‘The Last Photograph’ Is an ‘Apocalypse Now’-Style Epic That May Be “Too Violent” for Studios — Still No US Distribution

If the movie is as rough as some in the industry seem to fear, that teaser may have been less of a marketing campaign and more of a public plea for somebody to finally take the damn thing.

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David Chase to Direct ‘The Dealer’s Daughter,’ About the CIA’s MKUltra Mind-Control Experiments — Shoots in October

Since “The Sopranos” bowed out in 2007, Chase has dabbled in film, directing 2012’s “Not Fade Away” and writing the “Sopranos” spinoff “The Many Saints of Newark.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Director’s Fortnight Announces its 2021 Lineup

June 8, 2021 Jordan Ruimy

It’s useless to complain that the just-announced Directors’ Fortnight lineup is lacking in big names. I’ve met organizer Paolo Moretti a number of times and I can tell you that he and his selection committee work day and night to deliver a great lineup for cinephiles at Cannes every year.

With that being said, this year’s official selection was bound to be a more low-key affair, especially due to the fact that the Cannes Film Festival decided to expand its official competition to 25 films and even added a “world premiere” sidebar for the films not in competition.

What Moretti was basically left with, and the biggest world premiere he could snag, was Joanna Hogg‘s “The Souvenir Part II,” the sequel to her British coming-of-age drama starring Tilda Swinton and daughter Honor Swinton Byrne. The original film never played in France, which is why Directors Fortnight will also host the French premiere of the original “The Souvenir,” in the lineup as a “Special Screening” title. I presume the 2019 film will show first and then its sequel not too long after that.

The rest of the Director’s Fortnight lineup is highlighted by U.K. filmmaker Clio Barnard’s “Ali and Ava.” Portuguese filmmaker Miguel Gomes’ “The Tsugua Diaries,” and, finally, Italian directors Alice Rohrwacher, Pietro Marcello, and Francesco Munzi’s “Futura,” which is said to be a documentary about Italian teenagers.

This lineup makes things less complicated for my Cannes scheduling. If I do end up going to the festival this year, I will most likely skip Director’s Fortnight due to the massive amount of must-see titles Cannes boss Thierry Fremaux concocted. Of course, I’m sure Moretti has assembled some great films again this year for DF, but, unlike previous editions, there aren’t any films that will force me to skip a competition title and walk the dozen or so blocks to Quinzaine headquarters.

← ‘Sudden Move’: Steven Soderbergh Continues His Prolific Streak [Trailer]‘All Light Everywhere’: Ambitious Doc About Surveillance is a Hodge-Podge of Ideas That Refuse to Gel Together [Capsule] →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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