• Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_6823.jpeg
Uwe Boll Says Germany Banned ‘Citizen Vigilante’ Over Its Depiction of Migration Crime
IMG_6821.jpeg
Francis Ford Coppola’s ‘Glimpses of the Moon’ Struggling to Secure Financing
IMG_6812.jpeg
Anya Taylor-Joy Confirmed to Star in ‘The Hunt For Gollum’
IMG_6810.jpeg
Steven Spielberg Says He Would Never Make a Netflix Movie: “I’m a Moviemaker Who Believes in 70mm Theatrical”
IMG_6797.jpeg
Duffer Brothers’ Mysterious Film at Paramount Gets November 2028 Release Date
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • Interviews
  • More
    • Yearly Top Tens

‘Billie Eilish: The World’s A Little Blurry’ Offers Up an Insightfully Personal Docu-Journal [Capsule]

March 9, 2021 Jordan Ruimy
public.jpeg

What started off as the portrait of a teenage sensation on SoundCloud, turned, for director RJ Cutler and all involved, into a monstrous opportunity for a time-capsule-worthy documentary. Clocking in at 140 minutes, this film on musician Billie Eilish feels like an assortment of journal entries more than any sort of rising star story, and all the better for it. Filled with great music from her landmark 2020 album, “When we Fall Asleep, Where Do We Go?,” what struck me most about the 18-year-old singer-songwriter was how just personal she wanted to get for this doc. The more we gradually watch Eilish’s popularity rise, from SoundCloud sensation to headlining Coachella, the more fascinating the film gets. Cutler also likes to focus on the mundanity of touring life; we see Eilish having had just about enough of the endless rounds of interviews, meet-and-greets, and promotional stops. Her screenwriter mother hears the brunt of the complaints, but her construction worker father is also there by her side and it’s that support system that is the most touching aspect of the film. It’s all edited in rather formless fashion by Cutler and that’s both the film’s strength and its greatest weakness. The narrative, filled with incisively fascinating vignettes, is rather unpredictable; you don’t know where the next scene will go due to the absence of a narrator and Cutler’s insistence to not adhere to any sort of chronological storytelling. Of course, when you have your main subject unafraid to expose her emotional scars on-screen, then you can really just let your camera roll. Eilish is that mesmerizing. She’s the first major superstar of her generation, a teenager we see coming of age in front our very eyes.

SCORE: B

In REVIEWS
← Oscars 2021: The 14 Best Picture FrontrunnersDirectors Guild Nominates Zhao, Fennell, Sorkin, Fincher and Chung →

FOLLOW US!

No results found

Trending

Featured
Capture.PNG
What’s the Best Four-Film Run by a Director?
IMG_6348.jpeg
Clint Eastwood Turns 96 as Son Kyle Says the Legendary Director Has “Retired”
IMG_6339.webp
Martin Scorsese’s $200M Hawaii Mob Movie Nears Greenlight as Major Rewrite Set to Be Submitted to 20th Century
IMG_6307.jpeg
Robert De Niro Teases “At Least One More” Movie With Martin Scorsese

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025