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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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‘Practical Magic 2’ COLLAPSES On the Weekend — $29M+ Opening After Weak Walkups

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer!

Netflix has finally decided to stop teasing us with cryptic teasers and has given us an actual trailer for “The Further Mis-Adventures of Cliff Booth,” David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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‘I Play Rocky’ Blows the Roof Off TIFF! Becomes Best Picture Contender, Critics Sharpen Knives

To say it blew the roof off the place would be an understatement. I don't think I've ever seen a Toronto audience — any festival audience — embrace a movie the way they did last night.

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Mahershala Ali Is Extraordinary in ‘Your Mother Your Mother Your Mother,' Strong Film With One Ending Too Many [TIFF]

Marvel killed “Blade,” so now here are Ali and Bassam Tariq with a small, strange, hand-made thriller in which Ali is a blade-carrying assassin. Nobody involved is pretending the timing is an accident.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Together Together': A Subtly Groundbreaking Indie [Sundance]

February 10, 2021 Jordan Ruimy
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On its surface, “Together Together” is a fairly straightforward, albeit very sweetly rendered, comedy. As I was watching this cinematic game-changer, I admired the way its central characters (played by Ed Helms and Patti Harrison) kept growing on me, but little did I know that one of them was a transgender comedian.

No, Ed Helms has not decided to transition. Rather, it’s the casting of Harrison (Shrill) that may very well set the tone for Transgender talent to get leading cisgender roles in future movies.  Helms and Harrison are very much the leads here. He’s Matt, a lonely app designer, she’s Anna, the 26-year old expectant surrogate mother of his child. The deal struck between them is simple: Anna gets the payday she needs to finish college, and Matt, in his 40s and single, finally becomes a father. 

Until now, transgender talent not only hasn’t gotten leading roles in movies, but nary could they portray a cisgender character. That is all going to change now. Sure, trans talent was always allowed to nab a role as a cisgender person, but no producer dared to commit to that kind of casting. Harrison has paved a path, she’s a total revelation, playing her character with the kind of cynicism, sarcasm, and awkwardness that perfectly compliments Helms’ naïveté. Not just that, but she plays someone who gets pregnant and has a baby. And we believe it every step of the way.

The term rom-com cannot be used when narrowing down this film, and although it does hint like one at times, its writer-director Nikole Beckwith doesn’t want to trap herself within the limitations of that genre. Matt and Anna, although they form a touching bond, are simply friends. Harrison and Helms’ chemistry hints at strong feelings being hidden, but that’s about as far as it goes. There’s no sex, no kissing – just a conversation about how Woody Allen’s “Manhattan,” which had a 20+ year difference between its love pairing, was just plain wrong.

Yes, Matt and Anna are an unusual duo, moving in together “for the baby,” but they really just want to just hang out, watch Friends, and sort of flirt? There is no clear-cut resolution in “Together Together;” the film even ends on a final frame so abrupt that it caught me off-guard in its refusal to tie things up in a knot for the audience. And yet, the film wouldn’t work without Harrison’s restrained, compassionate performance. She keeps us guessing, not in any sort of self-effacing manner, but with subtle pleasantries and the deepest of judgy stares. It may very well be the breakout performance of Sundance 2021.

SCORE: B

← Berlinale 2021: Céline Sciamma, Hong Sangsoo, and Xavier Beauvois in CompetitionDoes Chadwick Boseman Really Deserve to Win the Oscar? →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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