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‘Gremlins 3’ Teaser Arrives as Release Delayed to October 6, 2028

Warner Bros. has delayed "Gremlins 3" from its original November 19, 2027 release date to October 27, 2028, making it a Halloween-timed release. A teaser has also been released.

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Elon Musk, Movie Mogul? Paramount Is Reportedly Thinking About It

Paramount needs money. Buying Warner Bros. Discovery was expensive, and now the company is looking for new investors. One name that has come up? Elon Musk.

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Jeremy Saulnier’s ‘Slayground’ Eyes January 29, 2027 Release via A24

The original plan was to release the Halloween-set film in October (its original title was "October"), but Saulnier is still editing it. The last test screening featured a 2½-hour cut and drew very positive reactions.

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Jude Law Joins Ari Aster’s ‘Scapegoat’

Jude Law has joined Ari Aster's "Scapegoat," which already has Scarlett Johansson and Jacob Elordi in lead roles. Aster, who is directing from his own script, is once again teaming with A24.

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‘Digger' Now Tracking at $12M Opening After Mixed First Reactions?

Coming off polarizing early reactions, "Digger" presales are off to a weak start, trailing "The Drama" by 34% and "The Bride" by 35% at one major chain. That's alarming for Warner Bros.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscars 2020 Nominations: 6 Biggest Snubs

January 13, 2020 Jordan Ruimy

Now that the dust has settled on today’s Oscar nominations, let’s take a look at six of the biggest acting snubs.

Robert De Niro (“The Irishman”)

Somehow former Academy favorite Robert De Niro got almost no love from awards bodies throughout the season. From missing a  SAG (Screen actors guild) nod, to a Golden Globe and a BAFTA, De Niro’s campaign has really been a nom starter, with voting bodies preferring to focus in on the electricity of Al Pacino’s performance and the subtle yet frightening comeback of Joe Pesci. A shame for De Niro, as he delivers his best performance since “Silver Linings Playbook” as Frank Sheeran, a man who’s loyalty ultimately cost him everything.

Greta Gerwig (“Little Women”)

It’s felt over the past two weeks that many (myself included) have been willing Gerwig’s name to be called out come nominations morning. So although her absence is disappointing, it is not surprising given “Joker” director Todd Philips’ performance in other similar-sized voting bodies. However, her absence is greater felt given the film’s nominations for adapted screenplay and picture. Her wonderfully crafted re-telling of “Little Women” brought more nuances and personality to characters often left underserved by adaptations of the famous novel. Though the same ‘snub’ accusation could be laid bare for her partner and one time best director front-runner Noah Baumbach, who suffered the same fate (in original screenplay) for “Marriage Story”.

Jennifer Lopez (“Hustlers”)

For more than a while, it looked set to be Laura Dern V Jennifer Lopez for the supporting actress crown, and the thought of JLo missing out was unthinkable. However, since losing the Golden Globe to Dern, an award she really needed to and was expected to win, coupled with her inability to campaign due to Super Bowl commitments, have culminated in probably the biggest shock of the day. Her live-wire, charismatic performance in “Hustlers” has been overlooked for more contained roles such as Scarlett Johansson in “Jojo Rabbit”, and although she scored both SAG, Globe, and Critics Choice awards, some may say the writing was on the wall with her absence from last weeks BAFTA nominations.

Lupita Nyong’o (“Us”)

After Toni Collette was never really considered for her performance in horror “Hereditary”, many believed the Academy would break their blind ignorance of the horror genre to nominate former winner Nyong’o for her incredible duel performance in “Us”. She landed SAG, and critics nominations but was left out in the cold by the Globes, BAFTA, and now the academy.

Awkwafina (“The Farewell”)

Another slightly major shock came in the form of “The Farewell” actress, and Golden Globe winner being left out of the lead actress category. Not as big of a shock as JLO given the Academy’s historic reluctance to reward ‘typically’’ comedic actors. Performance-wise this field doesn’t really have a standout, so the absence of Awkwafina’s beautifully funny, endearing, charming performance is a real blow. In fact, the lack of “The Farewell” throughout the nominations should be considered a real oversight for the Academy. Maybe they felt nominating “Parasite” was enough? Not good enough.

“Uncut Gems”

Quite simply it is ridiculous that the Safdie brothers breathtakingly original, stressful, chaotic, mad, masterpiece is nowhere to be seen in this year’s awards. From Adam Sandler in the best actor, through to the films incredible screenplay and direction, the fact it has been overlooked will be considered a massive oversight for years to come. In fact, both the film and its directing duo are the first NYFCC winner since 1988 (A World Apart) and the first BFCA nominee since 2001 (“The Shipping News”) to be shut out at the Oscars.

← Spike Lee Announced as Cannes Film Festival 2020 Jury PresidentDamn You, Oscar! →

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Critics Polls

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We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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