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Joel Coen’s ‘Jack of Spades’ Is a Gothic Mystery Based on a 1901 Novel, With Patsy Ferran “Dynamite” in the Lead

I can confirm that Joel Coen’s “Jack of Spades” is based on Frances Frederica Montrésor’s 1901 novel “The Alien: A Story of Middle Age.” It’s a ghost story. A gothic mystery.

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‘Whitney Springs’: Kendrick Lamar & ‘South Park’ Duo’s Slave-Comedy Balloons to $100M+ Budget, Still Not Finished

Stone and Parker’s “Whitney Springs” still isn’t finished. The budget has skyrocketed to over $100M. Stone and Parker have taken full responsibility for the delay.

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Michael Mann Has “Secretly Recut” ‘Miami Vice’ for a New “Director’s Final Cut” to Premiere in October

I’m not sure how this is going to turn out, but Michael Mann “secretly recut” his ‘Miami Vice’ movie, which has now led to the 4k restoration, a “Director’s Fina Cut,” to world premiere on October 3.

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Paul Feig to Direct ‘The Italian Job’ Sequel for Paramount

Wait, what? According to Deadline, Paul Feig is going to direct an “Italian Job” sequel for Paramount. No word yet on cast returns. A writer is supposed to be hired soon for the script.

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‘Digger’ Final Trailer Teases Iñárritu’s Apocalyptic Satire With Tom Cruise

We’re just 24 days away from its release, yet there doesn’t seem to be much excitement building around this film. The marketing has not worked.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscars 2020 Nominations: 6 Biggest Snubs

January 13, 2020 Jordan Ruimy

Now that the dust has settled on today’s Oscar nominations, let’s take a look at six of the biggest acting snubs.

Robert De Niro (“The Irishman”)

Somehow former Academy favorite Robert De Niro got almost no love from awards bodies throughout the season. From missing a  SAG (Screen actors guild) nod, to a Golden Globe and a BAFTA, De Niro’s campaign has really been a nom starter, with voting bodies preferring to focus in on the electricity of Al Pacino’s performance and the subtle yet frightening comeback of Joe Pesci. A shame for De Niro, as he delivers his best performance since “Silver Linings Playbook” as Frank Sheeran, a man who’s loyalty ultimately cost him everything.

Greta Gerwig (“Little Women”)

It’s felt over the past two weeks that many (myself included) have been willing Gerwig’s name to be called out come nominations morning. So although her absence is disappointing, it is not surprising given “Joker” director Todd Philips’ performance in other similar-sized voting bodies. However, her absence is greater felt given the film’s nominations for adapted screenplay and picture. Her wonderfully crafted re-telling of “Little Women” brought more nuances and personality to characters often left underserved by adaptations of the famous novel. Though the same ‘snub’ accusation could be laid bare for her partner and one time best director front-runner Noah Baumbach, who suffered the same fate (in original screenplay) for “Marriage Story”.

Jennifer Lopez (“Hustlers”)

For more than a while, it looked set to be Laura Dern V Jennifer Lopez for the supporting actress crown, and the thought of JLo missing out was unthinkable. However, since losing the Golden Globe to Dern, an award she really needed to and was expected to win, coupled with her inability to campaign due to Super Bowl commitments, have culminated in probably the biggest shock of the day. Her live-wire, charismatic performance in “Hustlers” has been overlooked for more contained roles such as Scarlett Johansson in “Jojo Rabbit”, and although she scored both SAG, Globe, and Critics Choice awards, some may say the writing was on the wall with her absence from last weeks BAFTA nominations.

Lupita Nyong’o (“Us”)

After Toni Collette was never really considered for her performance in horror “Hereditary”, many believed the Academy would break their blind ignorance of the horror genre to nominate former winner Nyong’o for her incredible duel performance in “Us”. She landed SAG, and critics nominations but was left out in the cold by the Globes, BAFTA, and now the academy.

Awkwafina (“The Farewell”)

Another slightly major shock came in the form of “The Farewell” actress, and Golden Globe winner being left out of the lead actress category. Not as big of a shock as JLO given the Academy’s historic reluctance to reward ‘typically’’ comedic actors. Performance-wise this field doesn’t really have a standout, so the absence of Awkwafina’s beautifully funny, endearing, charming performance is a real blow. In fact, the lack of “The Farewell” throughout the nominations should be considered a real oversight for the Academy. Maybe they felt nominating “Parasite” was enough? Not good enough.

“Uncut Gems”

Quite simply it is ridiculous that the Safdie brothers breathtakingly original, stressful, chaotic, mad, masterpiece is nowhere to be seen in this year’s awards. From Adam Sandler in the best actor, through to the films incredible screenplay and direction, the fact it has been overlooked will be considered a massive oversight for years to come. In fact, both the film and its directing duo are the first NYFCC winner since 1988 (A World Apart) and the first BFCA nominee since 2001 (“The Shipping News”) to be shut out at the Oscars.

← Spike Lee Announced as Cannes Film Festival 2020 Jury PresidentDamn You, Oscar! →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

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