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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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‘One Night Only’ Makes Sex Boring — Negative Reviews Greet the ‘Sex Purge’ Rom-Com as Callum Turner’s Bond Hopes Takes a Hit

“One Night Only” is essentially a rom-com version of “The Purge,” where premarital sex is banned except for one night a year. Yet it spends so much time justifying its concept that it forgets the sex.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box-Office: Quentin Tarantino Hits Career High As ‘Once Upon a Time... in Hollywood' Has $40M Opening

July 28, 2019 Theo Fisher

Disney's new take on “The Lion King” remained atop the box office this weekend, despite the biggest second-weekend drop off that one of their 'live action' remakes has seen. With $75.5M this weekend, the Jon Favreau directed, all-star cast driven (and highly faithful) remake now has a domestic standing of $351M, boosting its worldwide tally to a hefty $962M, leaving it finely poised to pounce over the $1B mark next weekend, making it the second Disney re-hash in as many weeks to do so after the Will Smith starring Aladdin reached the milestone this weekend.

And speaking of $1B Disney Movies, Marvel (and Disney's) “Spider-Man:Far From Home” became the ninth Movie in the MCU to join the club this weekend thanks to a $12.2M domestic gathering and a further $21M overseas, making it now (unsurprisingly) the highest grossing Spider-Man Movie ever made. Rounding out the Disney picks this week is Pixar's “Toy Story 4,” which took a heavy 36.5% drop off, all be it in its sixth weekend, bringing in $9.87M domestic and $19.74M elsewhere to bring its global total to $917M, meaning its push to join the $1B club may take a few weeks yet. Whilst it now sits around $90M away from the highest grosser in the franchise, Toy Story 3 ($1.067B).

The big new release of the weekend came from Quentin Tarantino and Sony with the highly anticipated “Once Upon A Time,,, In Hollywood.” Opening domestically nearly three weeks before it will be seen overseas (August 14th) the Tarantino homage to Hollywood, containing the mega star-power of Leonardo DiCaprio, Brad Pitt, and Margot Robbie delivered the director the biggest debut of his career, amassing $40M in three days of opening, a huge win for any Movie that sits with a 2h 40m+ run time. Tarantino's new film dethroned the $38M of 2008's “Inglorious Bastards” that had sat as his biggest opening, and Sony will hope the film’s fine form carries it to overseas success in the weeks to come as it hopes (internationally) to get somewhere near, or surpass Tarantino's highest grosser, 2012's “Django Unchained” ($425M).

Elsewhere, future Oscar hopeful, A24's The Farewell, directed by Lulu Wang moved into 135 theatres, racking up another $1.55M as it awaits wide release, whilst Alexandre Aja's horror/thriller Crawl took a healthy $4M, bringing its domestic total to an impressive $31M (off a $13.5M budget) and worldwide total to $45M, thanks to another $3.4M internationally this weekend.

This weeks big hitters are waiting in trepidation as next week sees the arrival of the “Fast and Furious” spin off “Hobbs and Shaw,” starring notable box-office attractions Dwayne Johnson and Jason Statham, alongside Idris Elba. Universal's near $200M production will aim to get close to the $147M opening weekend of the biggest film in the franchise, Fast and Furious 7.

← Martin Scorsese’s ‘The Irishman’ to Open the 2019 New York Film FestivalTelluride 2019: ‘The Aeronauts' to Premiere. ‘Ad Astra' Not Going. →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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