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Guy Maddin to Direct Ari Aster-Produced ‘The Confessions,’ Starring Alexander Skarsgård, Hunter Schafer, Maya Hawke and Harry Melling

Before "Rumours," Guy Maddin, the great Canadian surrealist, hadn't shot a feature in more than seven years. Now, two years after that film premiered at Cannes, he already has his next one lined up.

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‘Dune: Part Three' Social Embargo Lifts December 2, Reviews Drop December 9

This morning, invites went out to press for screenings of Denis Villeneuve's "Dune: Part Three." I got one, and my screening is set for December 1. That's 17 days before the film opens in theaters.

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Lee Cronin’s ‘A Nightmare on Elm Street’ Reboot Is Dead at Warner Bros, Paramount Now in Charge

Warner's version, which had ‘Evil Dead Rise’ director Lee Cronin in talks to write and direct, has been shelved. That leaves only Paramount Primal with plans to make a new Elm Street movie.

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Ari Aster's ‘Scapegoat' Script Is Exactly What You'd Expect: Influencers, Neo-Nazis, ICE Raids, Erika Kirk and… Nukes

"Scapegoat" is a lot. It's a hospital procedural, a doxxing noir, a marital thriller and an apocalypse satire all at once, and, much like "Eddington," the back half turns into a string of absurd, gory set pieces.

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‘How to Rob a Bank’ Lands at 50% on Rotten Tomatoes as David Leitch’s $80M+ Film Tracks Toward a Bomb

“How to Rob a Bank” hits theaters on Friday, and the review embargo has finally lifted. The $80M film was already tracking poorly, with an opening in the $9M range, and these reviews certainly won't help.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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Mark Hamill on Disney's “Star Wars" Trilogy: They Are Doing A Good Job of Killing the Past

March 4, 2019 Jordan Ruimy
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Ah yes, Mr. Mark Hamill is at it yet again. He’s currently promoting his latest project “Knightfall,” but was asked , again, about the bewilderment that was “The Last Jedi,” even 14 months since its release.

In a new interview with Den of Geek, Hamill gives an honest opinion on the way Lucasfilm and Disney have treated the rich lore of “Star Wars":

“I was once describing ‘Star Wars’ fans, and I said, ‘They’re passionate, they’re opinionated, and they feel a sense of ownership, because they’ve invested so much time in these characters and these stories,’ and I realized I was describing myself. It can get you into trouble, because I don’t control the storylines. I’m sort of like a musician. I read the music, and I try to play it to the best of my ability. That doesn’t necessarily mean I like the tune, but that’s not my job.”

He then started talking specifics, when it came to the new tirlogy, and , suffice to say, he doesn’t mince words when describing his dislike of some of the choices that were made:

“I just thought, Luke’s never going to see his best friend again,” he said, referncing Harrison Ford’s Han Solo dying in ‘The Force Awakens.’ “You look at it in a self-centered way. I said that it was a big mistake that those three people would never reunite in any way. I guess I was wrong, because nobody seems to care! I have to stipulate that I care, but it didn’t really seem to affect the larger audience.”

He continued, “Luke, Han and Leia will never be together again, and I’ll probably never get to work with Harrison again. Then the second thing was that they killed me off. I thought: oh, okay, you should push my death off to the last one. That’s what I was hoping when I came back: no cameos and a run-of-the-trilogy contract. Did I get any of those things? Because as far as I’m concerned, the end of VII is really the beginning of VIII. I got one movie! They totally hornswoggled me.”

“They had me walking by 3PO, not even acknowledging him,” explained Hamill. “I said: ‘I can’t do that!’ [Rian Johnson] said, ‘Okay, go over and do whatever.’ So I went over, and I did whatever. They say it

In NEWS Tags Mark Hamill, Star Wars, Disney, The Last Jedi
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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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