A film based on women trying to break through the restrictive barriers of their parent’s religious upbringing is nothing new. However, Minhal Baig‘s “Hala” is unique because it tackles a gifted, hijab-wearing, skateboarding Pakistani (Geraldine Viswanathan) student who tries to navigate both her duties as a Muslim and her academic social life with poetic grace. The complications that arise in Baig’s film can be deemed conventional for this type of film but regardless they feel fresh and, more importantly, authentic because of the way Baig’s camera relates, in such intense ways, to Hala’s on-screen plights. Her sudden and out-of-the-blue romance with Jesse (Jack Kilmer) takes Hala away from the restrictions of her religion, the arranged marriage her father has in mind. And her own parent’s disintegrating relationship, threatened by her dad’s infidelities with a white woman in his office, only makes her life worse. Expanded from Baig’s 2016 similarly titled short film, the American female perspective in “Hala” is unique, bringing a new, much-needed perspective to the coming-of-age genre. Despite being apart from the intense Muslim world our main character lives in, there’s a relatability to her tribulations that hits home. Viswanathan (“Blockers”) proves to be a formidable actress, showcasing a woman trying to take the liberties that come in living as a woman in America and creating her own destiny, free of restrictions. [B/B+]
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Zeller’s feature debut, “The Father,” was an acclaimed and Oscar-winning film. Many believe he struck out with his sophomore effort, 2022’s critically maligned “The Son.” This is another miss.