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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Scorsese on DiCaprio: “He Gave Me a New Lease on Life"

November 15, 2019 Jordan Ruimy

Martin Scorsese was honored with the 14th annual Kirk Douglas Award by the Santa Barbara International Film Festival Thursday night. He received a nice big juicy kiss on the cheek from presenter Leonardo DiCaprio. [via THR]

In his acceptance speech, the legendary director of “Raging Bull,” “Taxi Driver,” “Mean Streets,” “Goodfellas,” and “The King of Comedy” thanked DiCaprio for giving him a “new lease on life,” and how it was DeNiro, after working with the actor of “This Boy’s Life,” who called Scorsese in 1993 and urged him to work with DiCaprio. “He called me, he never does this, and said, ‘You gotta work with this kid, he’s really good.”

“For the past 20 years, he’s given me as a filmmaker, creatively, a new lease on life. I can tell you that. Because I see the same kind of commitment in Leo that Kirk Douglas had. He was inspired in turn by Bob and Al’s generation who was inspired by Kirk’s generation.”

Scorsese then turned his attention to the threats face art in the age of algorithms. “I realize that commitment and dedication to the art form are always rare so, you know, when you see it, this incredible commitment and dedication, please don’t take it for granted. Today, it's a new world, of course, and we have to be extra vigilant. Some actually believe that these qualities that I’m talking about can be replaced by algorithms and formulas and business calculations but please remember it’s all an illusion because there’s no substitute for individual or artistic expression as Kirk Douglas knew and as he expressed through his long film career.”

Despite Scorsese’s latest film, “The Irishman,” being one of his rare films of the 21st century not to star DiCaprio, the 45-year-old actor had glowing words for Scorsese’s 2019 opus “With his latest film, Marty has once again reunited with some of his most iconic collaborators,” he said of the epic which casts Pesci, Keitel, Pacino, and DeNiro, the latter of whom anchors the story as Frank Sheeran, a truck driver turned top hitman. “It plays like an elegy. It’s a movie about looking upon what you’ve left behind and squaring up with all of it, but for me, what’s more astounding about this film, in my mind, Marty transcends his own signature genre and creates a film that methodically transforms itself into an exploration of our very own universally shared mortality. The film is absolutely breathtaking.”

Look for a ranking of the Scorsese/DiCaprio movies (of the last 20 years) to be published later today ...

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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