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Telluride’s “Secret” A24 Movie Is Nathan Fielder’s Elizabeth Holmes Doc

The mystery surrounding Telluride’s secret A24 screening now appears to have been solved. Did anybody guess Nathan Fielder and Elisabeth Holmes?

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Zach Cregger Distances Himself From ‘Gladys’ Prequel, Not Writing or Directing, Only Producing

Originally, Cregger was reported to be directing “Gladys.” He then dropped out. He was also supposed to co-write the script with Zach Shields, and apparently now he isn’t.

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Lee Chang-dong’s ‘Possible Love’ Starts Quietly, Builds Into Something Colossal and Transcendent [Venice]

The film runs 164 minutes. What a stunner this turns out to be. “Possible Love” keeps getting stranger and deeper the longer it goes. And by the end, the film has moved somewhere almost transcendent.

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Telluride to Screen “Surprise” A24 Movie Tonight! 174-Minute Runtime, Tight Security — No Phones Allowed

Some major guessing games are currently going on regarding Telluride’s surprise movie, playing later today at 6 PM MT, which has sparked some fun theories among industry insiders and journalists.

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Kane Parsons to Direct ‘Backrooms 2’ for A24 — Set to be His Next Film

An official announcement is “imminent.” “Backrooms 2” will be Parsons’ next film — he’s not jumping into anything else. Might as well strike while the iron is still hot, I guess.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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J.J. Abrams Defends ‘The Force Awakens,’ But Respects George Lucas’ Criticism That It ‘Lacks Originality'

November 21, 2019 Jordan Ruimy

Disney CEO Bob Iger’s memoir revealed earlier this year that George Lucas criticized “Star Wars: The Force Awakens” for lacking originality. If you remember, Iger claimed that when Lucas saw “The Force Awakens,” directed by J.J. Abrams, “he didn’t hide his disappointment. ‘There’s nothing new,’ [Lucas] said. In each of the films in the original trilogy, it was important to him to present new worlds, new stories, new characters, and new technologies. In this one, he said, ‘There weren’t enough visual or technical leaps forward.’”

In an interview with Rolling Stone, ahead of the release of “Star Wars: The Rise of Skywalker,” Abrams responded to Lucas’ criticism by saying he “only has gratitude” for Lucas:

“It’s probably a complicated thing for him,” Abrams told Rolling Stone. “To decide you’re going to sell this thing that you created, that was your baby, to anyone — that must be more complicated than signing a check and smiling about it. But he’s been incredibly gracious. He’s been super-generous.”

Abrams continued, “He came over, we had a meeting when we first started working on this [new movie], talked through a ton of different ideas and stories, and heard from him what was important. And we’ve done nothing but try and adhere to some fundamental aspects of the story. It wasn’t a difficult thing to try and do. And again, he was really gracious. So I’m only grateful. Do I wish that [Force Awakens] had been his favorite movie of all time? Yes, I only wanted to do well by him. I would just say that I have nothing but profound respect for the guy and am still truly, even more so now, working on these movies in awe of what he created.”

Abrams does admit that Lucas’ claims about a “lack of originality” in “The Force Awakens” said that he “completely gets the criticism.” But, for Abrams, “The Force Awakens” was to go back to the “classic storytelling” of “A New Hope” to set up the riskier second and third chapters.

“The idea was to continue the story and to begin with this young woman who felt like Luke Skywalker was a myth,” Abrams said. “And to tell a story that was not just history repeating itself, but a story that embraced the movies that we know as the actual history of this galaxy. So that they are still living in a place where there is good versus evil, they’re still living in the shadow of what has come before, still grappling with the sins of the father and the people who have preceded them. This was not about a nostalgia play. It felt, to me, like a way of saying, ‘Let’s go back to a Star Wars that we know, so we can tell another story.'”

“Rise of Skywalker” is opening in theaters nationwide December 20th

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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