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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Elton John Admits to Not Liking ‘The Lion King’ Remake: ‘The Joy Was Lost’

October 16, 2019 Jordan Ruimy

The Disney remake of “The Lion King” was more of a showcase for VFX/photo-realism than an actual successful remake of a beloved Disney classic. Maybe they should have just left the 1994 movie alone. No, not maybe, actually, they should have just not touched it. The remake’s director, Jon Favreau (The Jungle Book, Iron Man, Chef), was so concentrated on the technological aspects of the film that he forgot about the emotional core of the story itself and, when it came to the Shakespearian-influenced ‘Lion King,’ that was a mistake.

And so, despite people telling me that it would not be a shot-for-shot remake of the original, well, this 2019 Lion King kind of was. The screenplay was quasi-similar to the animated movie. After you started to get used to the stunning VFX, there was nothing left to cling on, just a retread of the same old story. The animated version had more emotions in its characters, more humanity in the hand-drawn than the coldly distanced VFX of Favreau’s version.

Another aspect that irked me to no end was the non-use, or lack thereof, of the excellent 1994 soundtrack by Elton John and Tim Rice. John has been pretty hush-hush about his feelings towards this remake, but he’s decided to give his honest take about it, telling British GQ he was not consulted whatsoever.

“I wish I’d been invited to the party more,” John said, “but the creative vision for the film and its music was different this time around and I wasn’t really welcomed or treated with the same level of respect. That makes me extremely sad.”

“The new version of The Lion King was a huge disappointment to me, because I believe they messed the music up,” John added. “Music was so much a part of the original and the music in the current film didn’t have the same impact. The magic and joy were lost.”

“The Lion King” will most likely earn a few Oscar nominations, especially in the categories of Best Visual Effects and Best Original Song Oscar (for the Beyoncé tune “Spirit”) and the film has made close to a billion dollars worldwide, but the remake was still seen as a major disappointment by critics and many fans of the original.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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