
There are many in the industry that will tell you the now controversial "Outstanding Popular Feature Film" category at the Oscars was introduced because of 'Black Panther.' All of this to prevent the 'embarrassment' of having Ryan Coogler's decent, but not Oscar-worthy, Marvel flick competing for the actual Best Picture prize. Suffice to say, Marvel was probably not happy about the decision the Oscars did by unofficially relegating their precious blockbuster to the "lesser" category. This was the Academy telling us 'superhero movies do not belong in the "Best Picture" race' and, know what, I'm fine with that.
Yes, it does seem rather silly but I do believe Marvel has its first serious Oscar contender with "Black Panther." At the very least recognition in the technical categories, especially Best Costume Design, feels like a given, but the way critics have been, rather curiously, going gaga over this mediocre film does say everything we need to know about today's severely politicized film critic community.
The only superhero film that was ever worthy of a Best Picture nomination was 2008's "The Dark Knight," which, after shockingly not being nominated, had the Academy reinventing the rules by widening the Best Picture field from 5 nominees to this absurdist percentage system hat we have today, which can see anywhere between 7-10 nominees chosen. All of that so that a pop culture phenomenon like "The Dark Knight" could sneak into the Best Picture category in future years time and not have a fanboy backlash, not to mention low ratings, impede the race.
If you’re Disney, Marvel Studios, Kevin Feige, all those people, why would you settle just for the 'Popular' film category prize? According to the Los Angeles Times' Glenn Whipp, the awards team behind “Black Panther” is still very much aiming its sights at a Best Picture nomination. Whipp confirms that the new 'Popular Film' category will not deteriorate the push from Disney’s Oscar campaign for 'Panther'.' In fact, it's only made the mouse house hungrier for that ever elusive Best Picture nomination.

Still no distributor for "Bucking Fastard," "Alpha Gang," "The Last Photograph," "Closing Night," and "The Life and Deaths of Wilson Shedd." The issue seems to be quality more than a lack of willingness to buy.