A Deadline piece, titled “Inclusion In Movie Casting Has Seen Little Progress Since 2007” reads exactly as one might expect. The gist of it is that there’s been no inclusive progress in Hollywood, even though there clearly has been.

There was obviously going to be backlash against Antoine Fuqua’s upcoming Michael Jackson biopic. I would think the makers behind this upcoming film knew this in advance.

We’ve already covered the rampant rumors of Aaron Taylor-Johnson potentially being the next James Bond.

Here’s the NEON-released trailer for Justine Triet’s “Anatomy of a Fall.” It deservedly won the Palme d’Or last month at Cannes.

I’ve updated the last “What’s Missing” article. Even though “The Iron Claw,” “The Bikeriders,” “Dream Scenario,” “Strangers,” and “Foe” have release dates, there are still quite a few “orphaned” titles.

Many of us were surprised to see Garth Davis’s “Foe” show up in the New York Film Festival lineup this morning. Davis isn’t necessarily the type of filmmaker NYFF would select, but consider us intrigued.

When I saw Tran Anh Hung’s “The Pot-au-Feu” at Cannes, I figured this deliciously sumptuous film would have a strong festival presence in the fall. Today, we learned that it’ll screen at NYFF and, probably, Telluride.

The New York Film Festival’s Spotlight lineup has been unveiled. There a few big surprises.

Jan de Bont, 79, has only directed five movies in his career, including “Speed” and “Twister.” He hasn’t helmed anything since 2003’s “Lara Croft: Cradle of Life.”

According to Daniel Richtman, before the strike, Oscar Isaac had been offered the male lead role in David Robert Mitchell’s dinosaur 80s dinosaur movie “Flowervale St.” Anne Hathaway is also set to star.

The embargo has now lifted on this latest DC movie and the reviews are mildly okay. A 62 on Metacritic, but a much friendlier 88% on Rotten Tomatoes.

Director Tom Six is the brains behind the “Human Centipede” trilogy. His latest film, “The Onania Club,” which is said to be a very uncomfortable watch, is having problems finding a distributor.

“Circus Maximus,” a secretly shot film, running 75 minutes long and starring Travis Scott, was released in select theaters last week.

It’s official, Bradley Cooper’s “Maestro” will be having its North American premiere at the New York Film Festival during the first week of October. This means no Telluride.

“Barbie” is still topping the box-office, having today surpassed “The Dark Knight” as Warner Bros’ highest grossing film. It’s a mass cultural event and it hasn’t shown signs of letting up.

The first short story, titled ‘Henry Sugar,’ is 37 minutes and will premiere at the Venice Film Festival.

We already know that most Netflix original movies stink. There’s almost no arguing that. I might make a recent exception for last month’s “They Cloned Tyrone,” which takes risks and doesn’t conform to mainstream tastes.

This is something I did not expect to wake up to. Bradley Cooper’s “Maestro” has already been hit with controversy.

A court in Iran has sentenced director Saeed Roustaee to six months in prison. His crime? Screening his film "Leila's Brothers" at the Cannes Film Festival last year.

Almost 10 Years on, J.C. Chandor’s “A Most Violent Year” remains one of the most underrated films of past decade.