Warner Bros’ “Barbie” will have its review embargo lift on July 18th at 7 pm ET.

A trailer – created by AI – for a non-existent “Heidi” movie creeped the hell out of me. Call it “nightmare fuel,” or whatever else it’s been described as, but what did I just watch?

I’m pleased to report that “Mission: Impossible — Dead Reckoning Part One” will only be available digitally on October 10th. That means, you should go see this one in theaters.

I don’t like using the word “woke” because it’s too simplified a term. Yes, it’s an easy way of entering a debate, to say this is “woke” and that is “woke,” but the substance gets lost in the process.

We are two days away from Japanese master Hayao Miyazaki’s “How Do You Live?” being released in Japan.

During his final months on earth, Jean-Luc Godard was surrounded by an intellectual circle of friends, including Fabrice Aragno, Jean-Paul Battagia, Nicole Brenez, Mathilde Incerti, and Mitra Farahani.

Disney has revealed, via Forbes, that its Marvel streaming drama “Secret Invasion” went over budget, and was made for a whopping sum of $211.6 million.

Why did Warner Bros. decide to open “Barbie” on the same date (July 21) as Nolan’s “Oppenheimer”? Because they can. But there’s much more to this story than meets the eye.

Let’s all take a deep breath and appreciate the fact that Tom Cruise is still trying to, quite literally, kill himself on-screen for cinema.

Selena Gomez is looking for her Oscar role and it might come in the form of playing ‘70s musical icon Linda Ronstadt.

The “Oppenheimer” embargo has lifted and it’s getting nothing but raves from critics.

On Sunday, I had reported that Eli Roth’s “Borderlands” was in post-production hell with even its main screenwriter, Craig Mazin, deciding to remove his name from the project — he’ll now go under the pseudonym of Joe Crombie.

Film at Lincoln Center announced this afternoon that Todd Haynes’s “May December” will open the 61st New York Film Festival, making its North American premiere at Alice Tully Hall on September 29th.

Most filmmakers in their 20s try to make short films. It’s rare to make a great short film at that age, but to make a feature film at such is rarer. There’s barely been a blueprint for it.

This one’s got legs. What an insane story “Sound of Freedom” has become. It made $40 million in its first seven days of release and is now again #1 at the box-office with a Monday gross of $4 million.

UPDATED: Here’s the trailer for “Wonka.” It looks safe and family-friendly.

Today is “Oppenheimer” day. The film was screened for Paris press in the morning and will now have its world premiere at Le Grand Rex this evening.

We had reported in January that filmmaker Mike Figgis was shooting a behind-the-scenes documentary on Franco’s Ford Coppola’s “Megalopolis.”

A report, via The Film Stage, confirms that Korine directed Scott in an action-oriented film “shot entirely in infrared.”

The latest reporting from Daniel Richtman comes to us a week after Deadline slyly mentioned a third ‘Dune’ film was in the works.