A few months ago Sean Penn gave Volodomyr Zelenskyy one of his Oscars and even offered to have it melted down by Ukraine’s President – saying his gift was inspired by his “continuing shame towards the Motion Picture Academy.”

It’s Goya Awards week in Spain, and for the occasion Pedro Almodóvar appeared on TVE (Spanish public broadcast) for a special half hour interview.

I presume many of our readers have seen the film. I won’t regurgitate my thoughts on it. According to the pundits, it was supposed to get Best Picture, Best Director and Best Actress nominations. Did it deserve it?

Here’s an interesting scoop. Beyond the Trailer’s Grace Randolph has some inside info as to what to expect when it comes to Todd Phillips’ “Joker: Folie A Deux.”

Qui Gon-Jinn himself has spoken. The mystery and magic of “Star Wars” has been destroyed by Disney greed.

America loves “Ant-Man.” Audiences came out in droves last night for the latest MCU extravaganza and the Box office numbers prove it.

On February 24th you’ll be able to witness the fatsuit for yourself, as that’s the date that Darren Aronofsky’s “The Whale” will be released on VOD.

This narrative that horror movies are being shunned from the Oscars for political reasons started last month when Mia Goth, responding to her “Pearl” Oscar snub, had this to say:

Very sad news. Bruce Willis has been diagnosed with Dementia. He was already retired from acting.

You have to wonder why it’s taken so long for Martin Scorsese’s “Killers of the Flower Moon” to be ready.

Recent think-pieces from Eric Kohn and Adrian Horton make the case against sex disappearing on the big screen.

A recent podcast with some Gold Derby experts came to consensus that if “Everything Everywhere All At Once” wins the Producers Guild of America then it’s probably winning the Best Picture Oscar. I agree.

In a career retrospective interview with IndieWire’s Kate Erbland, “Marlowe” actor Liam Neeson couldn’t help but namecheck “To Leslie” and Andrea Riseborough:

I walked out of Wednesday’s press screening of “Ant-Man and the Wasp: Quantamania” because life is too short and wasting it on a 125 minute Marvel product is counterproductive.

Director M. Night Shyamalan’s “Knock at the Cabin” hasn’t even been in theaters for a month, but he’s already ready to shoot his next film. I’m being told that an April shoot is set for this untitled thriller due to hit theaters in 2024.

I’m sure you’ve heard about the train derailment in Palestine, Ohio where a toxic cloud formed and people had to be moved away from the incident.

One of the few noteworthy mid-budget successes from last year, “A Man Called Otto,” had a very surprising $845,000 at the Tuesday Box-Office. Its cumulative domestic total now stands at close to $60 million.

I know there are quite a few fans of 2005’s “Constantine” on this site, purely based on the amount of emails I’ve received over the last year about whether a sequel is actually happening.

Andrea Riseborough has given an exclusive interview to THR, which was published today.