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Eli Roth Admits ‘Ice Cream Man’ Used AI After Previously Saying It Didn’t: “I Misspoke”

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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James Cameron Says He Almost Directed ‘Jurassic Park’: “I Would Have Made It Too Terrifying and R-Rated”

November 23, 2025 Jordan Ruimy

I’ve been thinking about James Cameron’s recent admission that he almost directed “Jurassic Park” before Steven Spielberg swooped in to steal the rights. Honestly? I kind of wish he did, or at least made a sequel.

In an Empire Magazine interview, Cameron admits, “[Spielberg] was the right guy to make it. Not me, because I would have made it too terrifying and R-rated. It would have been “Aliens” with dinosaurs.”

I’m not the biggest “Jurassic Park” fan. Don’t get me wrong, good film, but it’s not necessarily a film I care to revisit. While Spielberg did hit the bullseye with his PG-13 ‘Jurassic,’ I’d much rather an R-rated dinosaur movie —that’s something we haven’t really gotten with this franchise, as all of the instalments were neutered for mass ticket consumption.

Cameron, the man behind “Aliens,” “Titanic,” and “Terminator,” revealed Spielberg only beat him by hours when he snatched up the rights in the ‘90s. He told the Titanic Museum crowd in Belfast:

I tried to buy the book rights and he beat me to it by a few hours. But when I saw the film, I realized I was not the right person to make the film. He was. Because he made a dinosaur movie for kids, and mine would have been Aliens with dinosaurs, and that wouldn’t have been fair.

Technically, he’s right about Spielberg’s approach. Dinosaurs are for 8-year-olds. We can all enjoy it, too, but kids get dinosaurs and they should not have been excluded for that. Spielberg’s sensibility was right for that film.

My main issue with this franchise is that it’s been 32 years since “Jurassic Park” came out, and it’s still the only truly worthy film in the series. Yes, “The Lost World” didn’t seem great when it came out, but compared to the nonsense we’ve been getting since then, its stock has quietly risen. Despite the PG-13 rating, ‘Lost World’ remains the darkest film in the franchise, with Spielberg occasionally leaning into outright horror. It’s the least “family-friendly” entry — characters are eaten on camera, torn apart, stalked, hunted, snapped like twigs.

However, just picture Cameron’s “Jurassic Park”: R-rated chaos, probably a few less wholesome moments, more relentless terror. Sounds incredible. I would have loved a darker take, but Spielberg and Universal made the smarter business choice. They made a dinosaur movie for kids that still thrills adults. Sometimes restraint is still the real genius.

← ‘Othello’ Sets 2026 Shoot in Qatar; David Oyelowo to Direct and Star With Daniel Craig, Cynthia Erivo, and Rachel BrosnahanEdgar Wright’s ‘The Running Man’ Suffers a 70% Drop — Full-Blown Disaster For Paramount →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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