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'Cosmic Motors,' John Lasseter's First Film in 15 Years, Moves from Netflix to Paramount Theatrical Release

Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.

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Ramin Bahrani’s ‘Last Meals’ to Star Mads Mikkelsen, Boyd Holbrook, Michael Shannon, and Tessa Thompson

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‘NAZA’: Israel Moves to Strip Citizenship From Oscar-Winning Filmmakers Behind Gaza Doc

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Chris Rock’s ‘Misty Green’ Premieres, Rosalind Eleazar Stuns — 73 on Metacritic [TIFF]

I wouldn't call this film great — it stops short of that because of how neatly it resolves itself — but I'll give Rock his due here: this is much better than his previous directorial effort, "Top Five."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Netflix Doc Tackles the Landmark Movie Year of 1975

November 19, 2025 Jordan Ruimy

Half a century on, 1975 feels like a moment of transition — the New Hollywood movement was in full bloom, but with the first hints of the blockbuster era creeping in. The studio system, still reeling from the upheaval of the late ’60s, had learned to bet on risky visions by young filmmakers, but a certain corporate instinct was starting to creep in. The auteur-driven grit of the early ’70s was at its peak, but then “Jaws” happened and, two years later, “Star Wars.”

But honestly? It’s hard to believe we’ll ever get another movie year as seismic as 1975 — and that’s with full acknowledgment that 1974 might actually be the stronger overall year. The ’70s were untouchable. Later, we’d see the genre heaven of 1982, the ’90s at their sharpest in 1994, the modern high of 1999, and the prestige peak of 2007.

To mark the 50th anniversary of 1975, Oscar-winning documentarian Morgan Neville (“Won’t You Be My Neighbor” and “Piece by Piece”) has concocted a secret doc titled “Breakdown: 1975,” and he got Jodie Foster to narrate it.

Neville’s film will feature interviews with the likes of Martin Scorsese, Oliver Stone, Albert Brooks, Ellen Burstyn, Josh Brolin, Patton Oswalt, Peter Bart, Seth Rogen, and… Bill Gates?!

Per the film’s official logline: “In 1975, as America faced social and political upheaval, filmmakers turned chaos into art. This documentary explores how a turbulent era gave rise to iconic movies like ‘Taxi Driver,’ ‘One Flew Over the Cuckoo’s Nest,’ and ‘Network.’”

What a year this was. Has there ever been a better set of Best Picture nominees? “One Flew Over the Cuckoo’s Nest,” “Barry Lyndon,” “Nashville,” “Dog Day Afternoon,” “Jaws.” Yet Milos Forman’s “Cuckoo’s Nest” swept the “Big Five” Oscars (Picture, Director, Actor, Actress, Screenplay), the kind of consensus win the Academy rarely achieves.

The most seismic shift didn’t happen at the Oscars. Steven Spielberg’s “Jaws,” a lean, relentless thriller that dominated the summer, became the first true summer blockbuster, rewriting Hollywood’s business model overnight. What gets lost in the “shark movie” shorthand is how formally precise and patient it is — the kind of craftsmanship that today’s tentpoles rarely bother with.

The best film of this iconic year might very well be Stanley Kubrick’s “Barry Lyndon,” which confounded some audiences upon release — too slow, too painterly, too cold, they said — but time has transformed it into one of the decade’s supreme achievements, a meticulously composed tragedy lit by candles and Kubrick’s legendary cynicism.

Now, it’s your turn — what film is the absolute masterpiece of 1975? The last Sight & Sound poll was, controversially, topped by a film from that very year (“Jeanne Dielman”), a choice that still sparks fierce debate among cinephiles. Does Akerman’s landmark film still reign supreme, or does another ’75 classic — “Barry Lyndon,” “One Flew Over the Cuckoo’s Nest,” “Dog Day Afternoon,” “Nashville,” take your crown? Will “Jeanne Dielman” top the poll below as well, or will another title emerge as the year’s true giant?

“Breakdown: 1975” will start streaming on Netflix on Friday, December 19.

← Box Office: ‘Wicked: For Good’ Poised For $150M+ Opening WeekendAndrew Stanton: Tarantino Can Ignore ‘Toy Story 4’ — “Nobody’s Being Robbed of Their Trilogy” →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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