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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Bob Iger in Panic, Says Disney Has Privately “Killed a Few Projects”

March 5, 2024 Jordan Ruimy

We already suspected that Disney was in serious trouble — Box office flops (“Wish,” “Haunted Mansion,” “The Marvels“), their stock isn’t what it once was, their streaming service is losing subscribers by the millions and some shakeups at the top will certainly cause panic.

During an investor conference Q&A, Disney CEO Bob Iger tried to calm down worried investors who wondered if the company’s best days were behind it. When put on the spot, Iger had to admit that Disney has “killed a few projects already that we just didn’t feel were strong enough,” as the company tries to reverse a box office slump.

“You have to kill things you no longer believe in, and that’s not easy in this business, because either you’ve gotten started, you have some sunk costs, or it’s a relationship with either your employees or with the creative community,” Iger said. “It’s not an easy thing, but you got to make those tough calls. We’ve actually made those tough calls. We’ve not been that public about it, but we’ve killed a few projects already, that we just didn’t feel were strong enough.”

He further added that he’s been “spending a lot of time with the creators, watching these films, giving detailed notes in these films, engaging in a respectful process that results in improvement.”

So, he’s basically admitting to interfering with the creative process of his filmmakers. As if that’ll make things any better.

Iger hopes Disney’s pandemic and strike-induced box office drought will quickly turn around. The executive said Tuesday that “we’re doing a lot” to steer the Disney ship in the right direction, adding that the feature film business “hit on hard times that needed addressing.”

Iger also refused to believe in what many are calling “superhero fatigue”, saying that it was “not an accident” that Marvel’s first 33 films generated just under $30 billion at the box office.

A lot of people think it’s audience fatigue, it’s not audience fatigue. They want great films. And if you build it great, they will come and there are countless examples of that. Some are ours and some are others. Oppenheimer is a perfect example of that. Just a fantastic film. Focus is really important. We reduced the output of Marvel, both number of films they make, and the number of TV shows, and that really becomes critical, but I feel good about the team. I feel good about the IP we’re making. I talked about a lot of the projects. We look years ahead, really. And it’s iterative.

Last year’s earnings report stated that Disney's stock fell from $350 billion to $154 billion in just over a year, losing $196 billion in value, a 56% drop off. A few months later, in a major shakeup, Sean Bailey left as president of Motion Picture Studios after 15 years and was replaced by Searchlight co-president David Greenbaum.

At least Iger has acknowledged an intention to stray far away from the “culture wars” the company has been embroiled in these last few years. He’s also insisted in releasing less content, especially Marvel movies. Will it all work out for him? Who knows. Disney’s brand has taken a beating, and we don’t know if the recovery process has even begun.

The next big test for Disney will be this coming May’s “Deadpool and Wolverine,” a movie that Iger cannot afford to have fail.

← Jeremy Saulnier Calls Making of ‘Rebel Ridge' as “Tumultuous" and Says It's Not Yet ReadyBong Joon-ho Planning to Direct Anime Film in Japan →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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