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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Bob Iger in Panic, Says Disney Has Privately “Killed a Few Projects”

March 5, 2024 Jordan Ruimy

We already suspected that Disney was in serious trouble — Box office flops (“Wish,” “Haunted Mansion,” “The Marvels“), their stock isn’t what it once was, their streaming service is losing subscribers by the millions and some shakeups at the top will certainly cause panic.

During an investor conference Q&A, Disney CEO Bob Iger tried to calm down worried investors who wondered if the company’s best days were behind it. When put on the spot, Iger had to admit that Disney has “killed a few projects already that we just didn’t feel were strong enough,” as the company tries to reverse a box office slump.

“You have to kill things you no longer believe in, and that’s not easy in this business, because either you’ve gotten started, you have some sunk costs, or it’s a relationship with either your employees or with the creative community,” Iger said. “It’s not an easy thing, but you got to make those tough calls. We’ve actually made those tough calls. We’ve not been that public about it, but we’ve killed a few projects already, that we just didn’t feel were strong enough.”

He further added that he’s been “spending a lot of time with the creators, watching these films, giving detailed notes in these films, engaging in a respectful process that results in improvement.”

So, he’s basically admitting to interfering with the creative process of his filmmakers. As if that’ll make things any better.

Iger hopes Disney’s pandemic and strike-induced box office drought will quickly turn around. The executive said Tuesday that “we’re doing a lot” to steer the Disney ship in the right direction, adding that the feature film business “hit on hard times that needed addressing.”

Iger also refused to believe in what many are calling “superhero fatigue”, saying that it was “not an accident” that Marvel’s first 33 films generated just under $30 billion at the box office.

A lot of people think it’s audience fatigue, it’s not audience fatigue. They want great films. And if you build it great, they will come and there are countless examples of that. Some are ours and some are others. Oppenheimer is a perfect example of that. Just a fantastic film. Focus is really important. We reduced the output of Marvel, both number of films they make, and the number of TV shows, and that really becomes critical, but I feel good about the team. I feel good about the IP we’re making. I talked about a lot of the projects. We look years ahead, really. And it’s iterative.

Last year’s earnings report stated that Disney's stock fell from $350 billion to $154 billion in just over a year, losing $196 billion in value, a 56% drop off. A few months later, in a major shakeup, Sean Bailey left as president of Motion Picture Studios after 15 years and was replaced by Searchlight co-president David Greenbaum.

At least Iger has acknowledged an intention to stray far away from the “culture wars” the company has been embroiled in these last few years. He’s also insisted in releasing less content, especially Marvel movies. Will it all work out for him? Who knows. Disney’s brand has taken a beating, and we don’t know if the recovery process has even begun.

The next big test for Disney will be this coming May’s “Deadpool and Wolverine,” a movie that Iger cannot afford to have fail.

← Jeremy Saulnier Calls Making of ‘Rebel Ridge' as “Tumultuous" and Says It's Not Yet ReadyBong Joon-ho Planning to Direct Anime Film in Japan →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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