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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Jodie Foster: “Hopesfully People Will Soon Be Sick” of Superhero Movies

November 30, 2023 Jordan Ruimy

“The Marvels” will not be breaking the $100 million mark domestically at the box office, and that only reinforces the fact that audiences might finally be getting sick of superhero movies .

According to actress Jodie Foster, that’s a good thing, she wants superhero movies to die off (via Elle). The Oscar-winning actress can’t wait for for it to end:

It’s a phase. It’s a phase that’s lasted a little too long for me, but it’s a phase, and I’ve seen so many different phases [throughout my career]. Hopefully people will soon be sick of it. The good ones — like “Iron Man,” “Black Panther,” “The Matrix” — I marvel at those movies, and I’m swept up in the entertainment of it, but that’s now why I became an actor. And those movies don’t change my life. Hopefully there’ll be room for everything else.

It’s amusing how all of these filmmakers and actors are suddenly coming out against the superhero genre, but only because it’s become fashionably cool to do so.

When Scorsese started the “Marvel is not cinema” debate in October 2019, it was music to my ears. It was a long time coming. A universally loved and legendary filmmaker like Scorsese finally came out against Marvel and superhero culture, causing a domino effect, as Francis Ford Coppola followed suit, with many more to follow soon after. It took someone of Scorsese’s ilk to shake things up.

When all is said and done, and film historians start to look back at the 2010s, many years from now, they will notice that corporate greed manifestly overpowered risk-taking at the movies. This all came at a time when movie audiences chose hibernation at home. And yet, Marvel found a way to create a record-breaking movie formula.

But the monopolization of cinema in recent years also led the media to tell us that superhero epics mattered in ways they should have never been credited for. As Bilge Ebiri so eloquently stated in his excellent think-piece on Scorsese/Marvel:

There is a belief, parroted by fans and filmmakers and corporate honchos alike, that superhero epics and space-war movies and adventure fantasies matter in ways they never quite mattered before.

And so, as our world has become increasingly more complicated and unsettling, audiences are being fed fast food at the movies. The films we consume have become even more infantilized. It took a legendary voice like Scorsese’s to wake people up from their slumbers.

Now, what’s the next infantilized trend that’ll replace Marvel as box-office king? Mattel? Nintendo?

← Readers Poll: ‘Oppenheimer’ or ‘Killers of the Flower Moon’?Eli Roth’s ‘Thanksgiving’ Will Have A Sequel, Set for 2025 Release →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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