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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Telluride Film Festival Reveals its 2020 Lineup Despite Cancellation

August 3, 2020 Jordan Ruimy

This year’s Telluride Film Festival was forced to cancel due to an in-person and/or digital event not being possible. And, like this year’s Cannes, Telluride went ahead and revealed which films would have been part of the 2020 event. Call this the Telluride-label, or whatever you deem for it to be called, but it does showcase quite a few surprises.

The lineup would have been comprised of 29 new narrative and documentary feature films, big titles include “Ammonite” “Concrete Cowboy” “Nomadland” and “The Father.”

17 of the 29 Telluride titles are documentaries.

However, many of these films will not be at TIFF this year, some are at Venice, and those titles include Roger Michell’s “The Duke,” Gia Copolla’s “Mainstream,” and Quentin Dupieux’s “Mandibules.” Ostensibly, and curiously, missing from the Telluride lineup are Steve McQueen’s “Mangrove/Lover’s Rock,” "Regina King’s “One Night in Miami,” and Frederick Wiseman’s “City Hall.”

“Though we aren’t able to present our program in-person as planned, we still want to announce the lineup to bring attention to these brilliant films,” said Telluride Film Festival executive director Julie Huntsinger. “We’ve listed everything we know about screening opportunities so that audiences may watch as many of these films as possible. The Festival will continue to do everything in its power to champion and promote this artform and the people who create it.”

“Despite everything, 2020 has turned out to be another incredibly strong year for film,” said Huntsinger. “We were able to consider everything we’d hoped to. We love this program and the way it reflects this fascinating moment in domestic and international cinema, as well as life.”

AFTER LOVE (dir. Aleem Khan, UK, 89 min) 
ALL IN: THE FIGHT FOR DEMOCRACY (dir. Liz Garbus, Lisa Cortés, USA, 102 min) 
THE ALPINIST (dir. Peter Mortimer, Nick Rosen, USA, 92 min)
AMMONITE (dir. Francis Lee, UK, 117 min)
ANDREY TARKOVSKY. A CINEMA PRAYER (dir. Andrey A. Tarkovsky, Italy-Russian Federation-Sweden, 97 min) 
APPLES (dir. Christos Nikou, Greece-Poland-Slovenia, 90 min) 
THE AUTOMAT (dir. Lisa Hurwitz, USA, 79 min)
THE BEE GEES: HOW CAN YOU MEND A BROKEN HEART (dir. Frank Marshall, USA, 111 min)
CHARLATAN (dir. Agnieszka Holland, Czech Republic-Ireland-Poland-Slovakia, 118 min) 
CONCRETE COWBOY (dir. Ricky Staub, USA, 111 min)|
DEAR MR. BRODY (dir. Keith Maitland, USA, 97 min)
THE DUKE (dir. Roger Michell, UK, 96 min)
THE FATHER (dir. Florian Zeller, UK-France, 97 min)
FIREBALL: VISITORS FROM DARKER WORLDS (dir. Werner Herzog, Clive Oppenheimer, UK-USA, 97 min)
IBRAHIM (dir. Samir Guesmi, France, 84 min)
MAINSTREAM (dir. Gia Coppola, USA, 94 min)
MANDIBULES (dir. Quentin Dupieux, France, 77 min)
MLK/FBI (dir. Sam Pollard, USA, 104 min)
THE MOST BEAUTIFUL BOY IN THE WORLD (dir. Kristina Lindström, Kristian Petri, Sweden, 93 min)
NEVER GONNA SNOW AGAIN (dir. Małgorzata Szumowska, co-dir. Michał Englert, Poland-Germany, 113 min)
NOMADLAND (dir. Chloé Zhao, USA, 108 min)
NOTTURNO (dir. Gianfranco Rosi, Italy-France-Germany, 100 min)
PRAY AWAY (dir. Kristine Stolakis, USA, 101 min)
THERE IS NO EVIL (dir. Mohammad Rasoulof, Germany-Iran, 152 min)
TO THE MOON (dir. Tadhg O’Sullivan, Ireland, 76 min)
TORN (dir. Max Lowe, USA, 92 min)
THE TRUFFLE HUNTERS (dir. Michael Dweck, Gregory Kershaw, Italy-USA-Greece, 84 min)
TRUMAN & TENNESSEE: AN INTIMATE CONVERSATION (dir. Lisa Immordino Vreeland, USA, 86 min)
THE WAY I SEE IT (dir. Dawn Porter, USA, 100 min)

← Steve McQueen's ‘Lover's Rock' to Open New York Film Festival; 3 McQueen Films in Main SlateSteven Soderbergh's ‘Let Them All Talk' to Premiere on HBO Max This Fall; Skipping Film Festivals →

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