Ever since Quentin Tarantino scrapped what was supposed to be his tenth and final film, “The Movie Critic,” we haven’t heard much of an update in regard to another potential film being in the works.

Sony still doesn’t have a director attached for this one. They don’t even have a script. And yet, “scooper” Daniel Richtman is claiming that Marvel has set up a July 2026 release date for the film.

My initial reporting that Luca Guadagnino’s “Queer” had its original runtime drastically snipped down in the editing room turns out to actually be far worse than initially believed.

Here’s Netflix’s top priority this Oscar season. “Emilia Perez” will hit theaters on November 1 and be available to stream via Netflix on November 13. A trailer has now been unveiled for the film.

As I’ve said, numerous times, if you’re adapting “Blood Meridian” then you best not miss. The late, great Cormac McCarthy’s masterfully violent 1985 novel is a tough read but also an essential American novel.

We have our first look images for “Babygirl,” which is getting the Vanity Fair treatment. There’s the usual Oscar positioning, describing Kidman’s performance as brave and no holds barred.

We should scratch off any retirement plans for Francis Ford Coppola. According to the maestro, 85, he’s just getting started and currently working on two projects.

Last night, during a screening of “Miami Vice,” Michael Mann gave us the latest update on “Heat 2,” which is rumored to start production later this year, or very early 2025:

A24’s unusual rollout of “Sing Sing” has been incredibly slow, to the point where almost seven weeks into its initial NY/LA release, the film is still only playing in less than 200 theaters nationwide.

The sheer brilliance of “Toy Story 3” and the way its ending seemed to resonate so perfectly, so deeply, made it, by all senses of the term, a perfect trilogy capper.

In a new interview with Fandango, Pixar’s Chief creative officer Peter Docter confirms his team in the animation studios is already thinking about ideas for “Inside Out 3.”

I budged and rewatched Chloe Zhao’s “Nomadland.” The film won Best Picture during that surreal, and pandemic-inflicted, 2021 Oscars ceremony.

The French remake, starring Nathalie Emmanuel and Omar Sy, is actually now available to stream on Peacock. No theatrical release for this one. The reviews have so far been mixed.

The Oscar winner tells Empire that he’s starting to limit his acting roles but was “inspired” enough by the script for Ridley Scott’s “Gladiator,” that it was too tempting not to hop onboard the project.

Last month, we reported about how Macon Blair’s remake of “The Toxic Avenger,” starring Peter Dinklage, was deemed “too out there” and “unreleasable.”

On 08.16.24, I reported on the mediocre reactions that greeted James Mangold’s “A Complete Unknown” at a recent private screening.

The trades were predicting a $6M-$8M weekend for “The Crow.” It looks like it’s going to be a lot worse for Rupert Sanders’ badly reviewed reboot.

After initially being expected to hit theaters, the much-delayed “Salem’s Lot” is finally set to debut on Warner Bros' streaming platform Max on October 2024.

Vanity Fair’s first look at Pablo Larrain’s “Maria,” which is set to debut at Venice next weekend, attempts to set up Angelina Jolie as a potential Oscar contender.

It appears that AI was used to generate the false critics quotes in the “Megalopolis” trailer (via Variety). Eddie Egan, who wrote and cut the “Megalopolis” trailer, has been fired.