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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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Critics Are Fighting About ‘Fjord’ at TIFF; Sebastian Stan: “Not A MAGA Movie”

I was curious how Cristian Mungiu's "Fjord" would be received this fall. The Palme d'Or winner has become a culture-war flashpoint, and critics are more split on it than you might expect.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Netflix Boss Says Theatrical Release is “Inefficient" Way to Distribute $200M Movies

September 17, 2024 Jordan Ruimy

This is wild. Here’s Netflix CEO Ted Sarandos, at a TV industry gathering in London, trying to make the case that streaming is the way to go for big-budget movies, and not theatrical.

Sarandos claims that the streamer doesn’t feel the business need to recoup film investment in cinemas, he explained. “It’s unique to Netflix that we have enough scale,” Sarandos said. “We can uniquely spend $200 million on a film and have enough scale of viewership to put it directly on Netflix without trying to recover some of the economics in the theater, which I think is a fairly inefficient way to distribute some movies.”

Essentially, Sarandos is all about viewership and subscription numbers. Spending $200M on a movie, which makes no money back, and just gets “views,” is the way to go. He has no interest in theatrical exhibition, and he’s really going to die on this hill. A film being financially successful is besides the point, according to Sarandos.

Of course, it’s not just about “views” with Netflix — they make a good chunk of their profits off of ad revenue and subscriptions. Meanwhile, Netflix’s business numbers rely heavily on the stock going up. Their main concern isn’t necessarily making their money back on a $200M+ movie.

Yet, Sarandos is also leaving a TON of money on the table. The media treats every streamer misstep as a pinata to swing at, except for Netflix. A recent report claimed that with a P&A spend, “Glass Onion: A Knives Out Mystery” could have grossed $600M in global box office if it had received a normal theatrical rollout.

Netflix has another opportunity to make amends by releasing the next ‘Knives Out’ installment, ‘Wake Up Dead Man’ in theaters, where it belongs. However, most believe Netflix will not be doing that — they have a “strategy,” and it doesn’t involve theatrical exhibtion.

What Sarandos/Netflix are essentially doing is killing cinema, that’s their end goal. Don’t kid yourselves otherwise. They would like nothing more than to have theatrical die and be turned into the big game in town. The fewer people that go to cinemas, the more successful Netflix gets. They have no desire to help the movie ecosystem.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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