Dallas Buyer's Club

The physical transformation Matthew Mcconaughey succumbs to in The Dallas Buyer's Club is one for the history books. Forget about the more than 40 pounds the actor had to lose to portray Ron Woodroof and think more of the way he completely delves into the mannerisms and tics of a homophobic, female loving, bigot that finds out he's HIV positive and has 30 days to live. That's what happened to Woodroof in 1985, just as the disease was taking its toll on not just the population but -SHOCK- Hollywood as well. In the early moments of the film lone star cowboys gather around the back shed of a rodeo to see the headline in the paper which reads "Ron Hudson dead of AIDS". Not many people wanted to believe it was AIDS that killed one of the most masculine actors Hollywood ever produced.

Woodroof wasn't a saint. In fact he was the complete polar opposite, a man so bigoted and endowed with his radical principles that even after the doctor tells him he's dying of AIDS he blatantly responds "I ain't no queer". So the story goes, Woodroof eventually realizes that he does have AIDS and is consequentially rejected by friends and co-workers. What must a man do next? That's where the story gets interesting. AZT was the big drug of the moment to combat the disease back in the 80's. The FDA was making clinical study after clinical study to look at the effects the drug had on AIDS patients throughout the country.

Woodroof tries it and finds his illness worsening. From there on in he travels to places as diverse as Mexico, Israel, Japan, China and Sweden to find the latest breakthroughs in medicine to combat his HIV -and others in the process. Opening up a Dallas Buyer's Club inside a rundown motel room gets Woodroof going and sets up a chain of events which eventually make him one of the top black marketers for AIDS medicine. The FDA obviously disapproved of his actions. Set out legal lawsuits against Woodroof to put a stop to his rebellious ways.

Directed by Jean-Marc Vallee, the film has a gritty, docu-drama feel to it. The momentum it builds up in its first half can however not be maintained in its second half. cliches come to Valee's film at a furious pace, so does the presence of Jennifer Garner who's vastly underutilized as a doctor that defies her peers' orders and backs up Woodroof's case. What makes this film are its performances. Jared Leto as a transvestite that becomes Woodroof's partner is a standout. But it's Mcconaughey, skeletal and gaunt, that gives us a fearless, impassioned performance that can be qualified as artfully resonant. He deserves every award that is coming his way. He has never been better.