Spielberg's "The Post," a few reactions.



Spoke to a few people that said it was similar to the way he shot and told "Lincoln," and "Bridge of Spies," meaning the story does the talking, there's a lot of patient, held-back filmmaking, a very slow and dry affair. "Slightly square, old-school Hollywood craftsmanship," somebody told me, adding "It's no Spotlight." In other words, a movie that underplays its strengths. I thought "Lincoln" and "Bridges" were both ok, but that seems to be the direction Spielberg has decided to take on the last 5 or so years with his dramas.

Archive