Martel's The Headless Woman



Looking at the recently released Film Comment and IndieWire critics polls, notice a movie that you've probably never heard of called The Headless Woman. Its roots reside in Argentina- which is director Lucrecia Martel's home country. His new film demands to be payed attention to, there is attention to detail like not other I've seen in a while.

Maria Onetta plays the titular character & she has just had a car accident. She stops her car for a second, looks back and see far away a dog lying motionless in the street. She continues driving and -at least based on this viewer's assumption- gets a kind of Amnesia that puts us in the same position as herself, not knowing exactly who is who. Not just that but she believes she might have struck a person in that very same accident.

If you think it's complicated, it's much more than you think. There isn't much story here, it's all about character and the social status of Argentina and The headless woman's guilt and isolation to come to peace with has just happened to her. The smallest details to reveal anything or everything come and go in the blink of an eye and I was awestruck at how such simplicity that can be so engrossing, especially on a tiring night such as when I saw it.

I remember thinking "man there's so much stuff to take here" & that's the kind of feeling this might have of many. Although it is told in such simplified terms, it is far from being simple. It asks -make that demands- for you to pay attention to its serene beauty and Onetta's incredible performance, which suffice to say is so good it will likely get ignored come Oscar time.

I'm about to wholeheartedly recommend this movie but be forewarned it is as artsy as anything around and will definitely not be as adored by everybody. It's a certain kind of film for certain kind of people, I guess I just was one of those certainties.
Comments :

>

Archive